Screening of Ramesh Sippy’s Sholay – July 16

SholayRita Banerjee will introduce and lead the discussion for Ramesh Sippy’s 1975 film, Sholay, on Thursday July 16 from 6-8:30 pm for the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München.  The screening is part of the course Modernity and the South Asian Imaginaire at LMU.  Anyone interested in Modern South Asian literature, history, or art house film is welcomed to join the screening.

This 1975 film provides a superb look at popular Hindi cinema. Although it can be called an adventure, it has a spaghetti-western storyline, martial-arts sequences, comedy, soap-opera melodrama, and even musical numbers, including an early scene that has the two main characters riding a motorcycle and singing like Elvis Presley in the carnival flick, Roustabout. The film itself is indeed a carnival, and many of the features produced by India’s popular movie industry exhibit a similar mixture of ingredients in an attempt to meet the audience’s every possible expectation. Veeru (Dharmendra) and Jaidev (Amitabh Bachchan) are two small-time troublemakers who, in the past, have run afoul of Thakur Baldev Singh (Sanjeev Kumar); the Thakur, a former law officer, has seen the pair’s heroic nature despite their criminal ways. When a gang of bandits led by Gabbar Singh (Amjad Khan) murders the Thakur’s family and cuts off his arms, rendering him helpless rather than killing him, he enlists Veeru and Jaidev to help him seek revenge. In the Thakur’s rural village, the two bandits find romance and a hope for redemption and seek to free the village from Gabbar and his minions. The massive appeal in India of films like Sholay becomes evident; surprisingly, it succeeds in almost every genre it attempts to play. ~ Jonathan E. Laxamana, Rovi

Screening of Stephen Frears and Hanif Kureishi’s My Beautiful Laundrette – July 9

my-beautiful-laundrette-06-gRita Banerjee will introduce and lead the discussion for Stephen Frears’s 1985 film, My Beautiful Laundrette, on Thursday July 9 from 6-8:30 pm for the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München.  The screening is part of the course Modernity and the South Asian Imaginaire at LMU.  Anyone interested in Modern South Asian literature, history, or art house film is welcomed to join the screening.

My Beautiful Laundrette, written by Hanif Kureishi and directed by Stephen Frears, is the first real sleeper of 1985. The film is a rude, wise, vivid social comedy about Pakistani immigrants in London, , particularly about the initially naive, university-age Omar (Gordon Warnecke) and Omar’s extended family of wheeler-dealers and unassimilated layabouts.   ”Take my advice,” says Omar’s Uncle Nasser (Saeed Jaffrey) early in the film, ”there’s money in muck.” Omar heeds his uncle and enlists the aid of Johnny (Daniel Day Lewis), a Cockney mate from his school days. Together, Omar and Johnny set out to revitalize ”Churchill’s,” a failing laundromat, owned by Nasser, in a seedy section of London where enthusiastic, hustling immigrants are at odds with alienated, disenfranchised natives. Like the film itself, the relationship between Omar and Johnny is not quite as simple as it initially seems. Both men are outsiders. In the years since he and Omar were first friends, Johnny has drifted from one jobless limbo to the next. When Omar meets him again, Johnny is affecting a punk haircut and, with his pals, bashing Pakistanis, mostly because there’s nothing better to do.   It gradually becomes clear why Johnny has agreed to give up his street life to join Omar, who, being a Pakistani, isn’t easily explained to his Cockney pals. Johnny is bored with his own aimlessness. He never quite admits it, but he’d like to get ahead in the world. Further, and most important, he’s in love with Omar, something that Omar responds to and, like the hustler he’s becoming, uses to his own advantage. ~ Vincent Canby, The New York Times.

An Evening with Peter Orner – June 30

peter-ornerAn Evening with Peter Orner
Moderated by Rita Banerjee
The Munich Readery * 8:00 – 9:00 pm
Augustenstr. 104, Munich, Germany

The Munich Readery is proud to host Guggenheim fellow and American fiction writer, Peter Orner on Tuesday June 30 for “An Evening with Peter Orner.”  Orner be reading from the novel Love and Shame and Love as well as from the story collection, Last Car Over the Sagamore Bridge.  “I am very happy about coming back to Munich, a city I’ve always admired for its sense of calm, its architecture, food, and kind people. It’s a city I also love to wander around in and have been happily lost on its streets a number of times….” – Peter Orner

Peter Orner is an American writer and the author of four books of fiction. His first book, Esther Stories was a Finalist for the Pen Hemingway Award and Winner of the Rome Prize from the American Academy of Arts and Letters, and has been recently re-issued with a new introduction by Marilynne Robinson. His novel, The Second Coming of Mavala Shikongo, set in Namibia, has been translated widely, including in German by Hanser. Love and Shame and Love, Orner’s second novel, has also recently been published in German by Hanser. Orner’s most recent book, a collection of stories, Last Car Over the Sagamore Bridge was named a New York Times Editor’s Choice Book last year. Orner has also published two books of non-fiction, a book on immigration in the U.S. and another about political violence in Zimbabwe. Orner is a Guggenheim Fellowship recipient, and has taught at The University of Iowa Writers’ Workshop, Bard College, The University of Montana, and teaches in the MFA Program at San Francisco State University. He lives in Bolinas, California where he is a proud member of the Bolinas Volunteer Fire Department.

Guest Lecture: The Rāmāyaṇa as Speculative Fiction by Anil Menon – June 17

BreakingtheBowSouth Asian Science-Fiction writer Anil Menon will give a special guest lecture on “Rendevous with Rama: The Rāmāyaṇa as Speculative Fiction” in Rita Banerjee’s course Modernity and the South Asian Imaginaire.  The lecture will take place on Wednesday June 17 from 12-2 pm at the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München in Seminar Room 427 (Ludwigstr. 31, Munich).  The lecture is part of the course Modernity and the South Asian Imaginaire at LMU.  Anyone interested in Modern South Asian literature, history, or art house film is welcomed to join Menon’s special guest lecture.

Rendezvous With Rama: The Rāmāyaṇa as Speculative Fiction

In speculative fiction, a story’s context is also a part of the story, and when writing speculative fiction, an author can play with many other contexts as well: political, psychological, social, anthropological, historical, ethical, and so on.  Speculative fiction is thus a literature of ambiguity, interpretation, and surprise.  In this talk, we’ll examine the Rāmāyaṇa (mainly, Valmiki’s version) and see if it can be characterized as speculative fiction. As Naiyar Masud’s story “Sheesha Ghat” illustrates, it can be tricky to make these decisions. At the other end of the spectrum, we have “The Jaguar’s Wife,” a narrative with rather improbable events, but which insists on being read as a realist tale. Between the stuttered speech of Masud’s child protagonist and the multitude of voices in “The Jaguar’s Wife,” may be positioned the silent lonely figure of Lord Rama, the man devoted to moral action. I’ll argue that it is in playing with the contextual assumption that Text (words, laws, rules,…) can represent the actual world, that the Rāmāyaṇa becomes a work of speculative fiction.

AnilM15Anil Menon’s short fiction has appeared in a variety of magazines and anthologies including Albedo One, Interzone, Interfictions, Jaggery Lit Review, LCRW, Sybil’s Garage, and Strange Horizons. His stories have been translated into Chinese, French, German, Hebrew and Romanian. His debut novel The Beast With Nine Billion Feet (Zubaan Books, 2010) was short-listed for the 2010 Vodafone-Crossword award and the Carl Brandon Society’s 2011 Parallax Award. Along with Vandana Singh, he co-edited Breaking the Bow (Zubaan Books 2012), an anthology of speculative fiction stories inspired by the Ramayana. He has a forthcoming novel Half Of What I Say (Bloomsbury, 2015). He can be contacted at iam@anilmenon.com.

Screening of Satyajit Ray’s The Zoo – June 16

Ciriyakhana2Rita Banerjee will introduce and lead the discussion for Satyajit Ray’s 1967 film, The Zoo (Ciṛiẏākhānā, চিড়িয়াখানা), on Tuesday June 16 from 6-8:30 pm for the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München.  The screening will take place in Seminar Room 427 (Ludwigstr. 31, Munich).  The screening is part of the course Modernity and the South Asian Imaginaire at LMU.  Anyone interested in Modern South Asian literature, history, or art house film is welcomed to join the screening.  Satyajit Ray’s Ciṛiẏākhānā (The Zoo) is a detective film based on the famous crime novel of the same name by Saradindu Bandopadhyay. It features the detective Byomkesh Bakshi, and the zoo in question isn’t literally a zoo; just a flower-cum-dairy-cum-poultry farm called Golap Colony, which is inhabited by a very odd assortment of outsiders and outcasts. The founder of Golap Colony is Nishanath Sen (Sushil Majumdar), a judge who retired 10 years earlier at the age of 47, after being told by his doctor that his high blood pressure could drive him into an early grave. On a rainy day, with trams going by in the street below, Mr Sen comes to visit Byomkesh Bakshi (Uttam Kumar) at his flat. The room where he’s received is crowded with symbols of Byomkesh’s eclectic interests: a skeleton, a baby python, books, a cluttered desk with a soft board above it on which are pinned various phrases written in Bengali and English. Also, staying with Byomkesh at present is his friend and chronicler (“Your Dr Watson?” says Mr Sen), Ajit (Shailen Mukherjee). Mr Sen, having introduced himself and told Byomkesh about Golap Colony, gives a hint of why he’s come. Mysterious incidences have been happening at the Golap colony which Mr. Sen wants the famed detective Byomkesh Bakshi and his assistant Ajit to solve. But Mr. Sen is troubled by another, stranger problem: there’s an old Bengali movie song, Bhalobashar tumi ki jaano (“What do you know of love?”) that haunts him, as does the disappearance of the actress who originally sang it. – Madhulika Liddle

Register for CWW Summer Writing Retreat in Granada, Andalucía, Spain by June 15!

Join the Cambridge Writers’ Workshop on our summer writing & yoga retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work on your existing manuscript, or look to the beauty and warmth of Granada to inspire all-new projects. The retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects.  Faculty includes Peter Orner (fiction, nonfiction), Rita Banerjee (poetry, fiction), Diana Norma Szkoloyai (poetry, nonfiction), Jessica Reidy (fiction, poetry) and Elissa Lewis (yoga, meditation).  If you’d like to join us in Granada, please apply online at cww.submittable.com by June 15, 2015!

Featured Faculty:

Peter OrnerPeter Orner Chicago born Peter Orner’s fiction and non-fiction has appeared in the New York Times, the Atlantic Monthly, Granta, The Paris Review, McSweeney’s, The Southern Review, The Forward, The San Francisco Chronicle, and Ploughshares. Stories have been anthologized in Best American Stories and twice won a Pushcart Prize. Orner was awarded a Guggenheim Fellowship (2006), as well as the two-year Lannan Foundation Literary Fellowship (2007-2008). A film version of one of Orner’s stories, “The Raft” with a screenplay by Orner and the film’s director, Rob Jones, is currently in production and stars Ed Asner.  Esther Stories (Houghton Mifflin/​ Mariner, 2001) was awarded the Rome Prize from the American Academy of Arts and Letters, the Goldberg Prize for Jewish Fiction, and was a Finalist for the Pen Hemingway Award and the New York Public Library’s Young Lions Award. Esther Stories was a 2001 New York Times Notable Book.

RBRita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemum among other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured on HER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

DianaNormaDiana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows (Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, and Human Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

 

25ugmblJessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her website for informative yoga sequences and information.

Apply to CWW Summer in Paris Writing Retreat by Deadline June 15, 2015!

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 22-30, 2015 in France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in the heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel where we will stay is full of charm and our Moroccan themed classroom will offer a wonderful oasis to practice the writing life.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris, daily yoga and meditation classes, and one-on-one manuscript consultations. Optional add-ons include bateau mouche nighttime river cruises on the Seine, reiki healing, and aromatherapy sessions, plus optional excursions to neighboring cities such as Versailles. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris! Tuition is $2950, which includes lodging in central Paris, daily creative writing workshops and writing seminars, one-on-one manuscript consultations, daily breakfast, daily yoga and meditation classes, and a walking tour of literary Paris.

Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), David Shields (fiction, book-length essay), Diana Norma Szokoloyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), Jessica Reidy (fiction, poetry), and Elissa Lewis (yoga, meditation).

If you’d like to join us in Paris, please apply online at cww.submittable.com by June 15, 2015, and include $5 application screening fee and a 5-page writing sample.  (Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability).

applyExtended Deadline: June 15, 2015

Featured Faculty:

jUSEu2sSo4RfT2C6eSXb6-plQPuQlknv-LggVh9tpUsDavid Shields is the author of sixteen books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications); The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller); Black Planet (finalist for the National Book Critics Circle Award); and I Think You’re Totally Wrong (forthcoming in January 2015 from Knopf and also as a film, directed by James Franco, later this year). He has four more books forthcoming over the next year: Life Is Short—Art Is Shorter (Hawthorne Books); That Thing You Do With Your Mouth (McSweeney’s); War Is Beautiful (powerHouse Books); and Other People (Knopf). The recipient of a Guggenheim fellowship and two NEA fellowships, Shields has published essays and stories in the New York Times Magazine, Harper’s, Esquire, Yale Review, Village Voice, Salon, Slate, McSweeney’s, and Believer. His work has been translated into twenty languages.

qpi9e9Kathleen Spivack is the author of A History of Yearning, winner of the Sows Ear International Poetry Prize 2010, first runner up in the New England Book Festival, and winner of the London Book Festival; Moments of Past Happiness (Earthwinds/Grolier Editions 2007); The Beds We Lie In (Scarecrow 1986), nominated for a Pulitzer Prize; The Honeymoon (Graywolf 1986); Swimmer in the Spreading Dawn (Applewood 1981); The Jane Poems (Doubleday 1973); Flying Inland (Doubleday 1971); Robert Lowell and His Circle (2011) and a novel, Unspeakable Things. She is a recipient of the Allen Ginsberg Poetry Award 2010, the 2010 Erica Mumford Award, and the 2010 Paumanok Award. Published in numerous magazines and anthologies, some of her work has been translated into French. Other publications include The New Yorker, Ploughshares, The Atlantic Monthly, Poetry, Massachusetts Review, Virginia Quarterly, The Southern Review, Harvard Review, The Paris Review, The Kenyon Review, Agni, New Letters, and others. Her work is featured in numerous anthologies. She has also won several International Solas Prizes for “Best Essays.”

Diana Norma Szkoloyai is author of the poetry books Roses in the Snow and Parallel Sparrows (Finishing Line Press). Her writing and hybrid art have appeared in Lyre Lyre, Dr. Hurley’s Snake Oil Cure, The Fiction Project, Teachers as Writers, Polarity, The Boston Globe, The Dudley Review, Up the Staircase, Area Zinc Art Magazine, Belltower & the Beach, and Human Rights News. Founding Literary Arts Director of Chagall Performance Art Collaborative and co-director of the Cambridge Writer’s Workshop, she holds an Ed.M from Harvard and an M.A. in French Literature from the University of Connecticut.

rb1-e1425855638846Rita Banerjee is a writer, and received her PhD in Comparative Literature from Harvard University. She holds an MFA in Poetry and her writing has been published in Poets for Living Waters, The New Renaissance, The Fiction Project, Jaggery, The Crab Creek Review, The Dudley Review, Objet d’Art, Vox Populi, Dr. Hurley’s Snake-Oil Cure, and Chrysanthemum among other journals. Her first collection of poems,Cracklers at Night, was published by Finishing Line Press in 2010 and received First Honorable Mention for Best Poetry Book at the 2011-2012 Los Angeles Book Festival. Her novella, A Night with Kali, was digitized by the Brooklyn Art-house Co-op in 2011. She is a co-director of the Cambridge Writers’ Workshop, and her writing has been recently featured on HER KIND by VIDA: Women in Literary Arts and on KBOO Radio’s APA Compass in Portland, Oregon.

Jessica Reidy earned her MFA in Fiction at Florida State University and a B.A. from Hollins University. Her work is Pushcart-nominated and has appeared in Narrative Magazine as Short Story of the Week, The Los Angeles Review, Arsenic Lobster, and other journals. She’s a staff-writer and the Outreach Editor for Quail Bell Magazine, Managing Editor for VIDA: Women in the Literary Arts, Art Editor for The Southeast Review, and Visiting Professor for the Cambridge Writers’ Workshop retreats. She teaches creative writing and is a certified yoga instructor and Reiki Master. Jessica also works her Romani (Gypsy) family trades, fortune telling, energy healing, and dancing. Jessica is currently writing her first novel set in post-WWII Paris about Coco Charbonneau, the half-Romani burlesque dancer and fortune teller of Zenith Circus, who becomes a Nazi hunter. You can learn more at www.jessicareidy.com.

ElissaLewisElissa Lewis is the Yoga & Arts Coordinator of the Cambridge Writers’ Workshop.  She began her journey with yoga in 2006, when she moved to France and made the practice part of her daily routine. She saw yoga as a lifestyle, not only a class, helping her to clear her mind and have more compassion for herself and others. In 2010 she moved to New York and completed her teacher training at Laughing Lotus, a creative, soulful yoga studio that teaches the student to ‘move like yourself.’ She’s taught private and group classes in Manhattan and Brooklyn ever since. Visit her website for informative yoga sequences and information.

Creative Writing Workshop & Literature Lab Series at the Munich Readery

WritingWorkshopRita Banerjee will be leading a monthly creative writing workshop and literature lab at The Munich Readery for writers who are currently working on a long-term, book-length creative writing manuscript.  Poets, fiction writers, playwrights, memoirists, essayists, and screenwriters are welcomed to join the workshop.  The workshop will meet for a three-hour session each month in which writers will share and receive feedback on their creative writing projects and manuscripts in progress.  In addition, each workshop will open with a half-hour literature lab in which short and well-known works of fiction, nonfiction, poetry, and theatre will be analyzed alongside essays on creative writing craft and technique.  This workshop will be limited to 10 participants, and enrollment will close once seats are filled.  Writers are encouraged to enquire about upcoming workshop dates in case seats become available.  Readings for classes will be provided to all writers.  Workshop Fee: €30/session.  Email Lisa at the Munich Readery to enroll: store@themunichreadery.com  Location: The Munich Readery, Augustenstraße 104, 80798 München

Upcoming Workshops:
Saturday April 18, 9:00-12:00 –   Triggering Towns + Introductions [SOLD OUT]
Saturday May 9, 9:00-12:00 – John McPhee & the Art of Nonfiction [SOLD OUT]
Saturday June 13, 9:00-12:00– Haruki Murakami & Stories within Stories [SOLD OUT]
Saturday June 20, 9:00-12:00– Haruki Murakami & Stories within Stories [OPEN]
*
Sunday July 5, 14:00-17:00 – Joan Didion & Telling Stories Slant [SOLD OUT]
* Due to popular demand, a second class of Haruki Murakami & Stories within Stories will be offered on Saturday June 20, from 9 am – 12 pm at the Munich Readery.

Screening of Nina Paley’s Sita Sings the Blues – May 26, 2015

SitaRita Banerjee will introduce and lead the discussion for Nina Paley’s 2008 film, Sita Sings the Blues, on Tuesday, May 26 from 6-8:30 pm for the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München.  The screening will take place in Seminar Room 427 (Ludwigstr. 31, Munich).  The screening is part of the course Modernity and the South Asian Imaginaire at LMU.  Anyone interested in Modern South Asian literature, history, or art house film is welcomed to join the screening. “[The Rāmāyaṇa’s] hero is the blue-skinned Rama, avatar of the deity Vishnu, but Ms. Paley is more interested in Sita, his wife, whose devotion becomes both a romantic inspiration and a feminist cautionary tale [in Sita Sings the Blues]. Her adventures are narrated by three shadow puppets who speak in the accents of modern Indian English and who quibble over details and interpretations. Meanwhile, Sita, Rama and other characters from the Rāmāyaṇa are rendered in various styles, including a “Betty Boop Goes Bollywood” look for the musical numbers and an illuminated-manuscript manner for the dramatic scenes. All of this is entwined with the simpler, sadder, more drably drawn chronicle of a woman named Nina, whose longtime boyfriend, Dave, takes a job in India and eventually breaks her heart. This is a stripped-down, modernized variation on what happens to Sita, whose absolute love for Rama is repaid with suspicion, a humiliating trial by fire (to test her purity) and banishment.” – A.O. Scott, The New York Times

 

Rita Banerjee’s Mis/Translation Poems featured in Quail Bell Magazine

EderleziRita Banerjee’s poems “Romani Folk Poem,” “Kaddish,” and “A Hymn to Beauty” were just released in Quail Bell Magazine.  These poems, which were written during the Cambridge Writers’ Workshop’s Yoga & Writing Retreat at the Château de Verderonne in Pircardy, France, are mis/translations of famous literary texts, songs, and spoken word performances.  A Mis/translation is a creative writing invention exercise in which a poem is performed aloud in a “foreign” language that none of the participants can speak. The participants then provide a “mis/translation” of the performed poem based entirely on the feel and sound of the words. Check out the CWW’s Writing & Yoga Retreats in Paris, France and Granada, Spain this summer. The application deadline for both retreats in May 25, 2015. You may also enjoy the CWW interview with Quail Bell Magazine.