Rita Banerjee

Dr. Rita Banerjee will be reading from her personal essay “American Caste” and presenting a short lecture on “How to Survive as a Writer under American Capitalism” for the University of North Dakota Virtual Speakers Series in Writing, Editing, & Publishing on Tuesday, October 7 at 7 pm CT via Zoom. Audience members can join the Zoom webinar by scanning the QR Code above. And here’s more information about the talk:

How to Survive as a Writer under American Capitalism

In the 21^st Century, creative writers in the United States are facing unprecedented challenges to their discipline, craft, and survival. In 2025 alone, writers have witnessed large cuts in government funding for universities and humanities departments, the suspension of the NEA Fellowship for Creative Writers, and a number of class-action lawsuits against Artificial Intelligence companies, such as Bartz vs. Anthropic, in which A.I. companies are accused of illegally downloading 7.5 million literary and scholarly books and 81 million research papers to train their Large Language Model systems.[1] In this era of late capitalism, how can writers find viable ways to maintain and grow in their craft, seek the education in the humanities they desire, and create sustainable careers and communities in creative writing? As a multi-genre writer who is deeply inspired by world literature and transnationalism, Dr. Rita Banerjee will discuss her journey as a writer and literary citizen, and will share resources on how creative writers can create sustainable, nurturing, and viable careers, writing practices, and literary communities despite the pressures of American capitalism.

About the Author:

Rita Banerjee is an Assistant Professor of Creative Writing and Director of the MFA Program for Writers at Warren Wilson College. She received her doctorate in Comparative Literature from Harvard University and her MFA in Creative Writing from the University of Washington. She is editor of the forthcoming anthology Disobedient Futures (University Press of Kentucky) in which writers imagine what the future cultures of the United States and the world could look like if folks disobeyed gender, tribal, and class paradigms, and explored disobedient forms of environmentalism and borders. She is also the author of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, the poetry collections Echo in Four Beats and Cracklers at Night, the novella “A Night with Kali” in Approaching Footsteps, and is co-writer of Burning Down the Louvre, a forthcoming documentary film about race, tribalism, and intimacy in the United States and in France. Her work appears in Sign & Breath: Voice and the Literary Tradition, Academy of American Poets, Poets & Writers, PANK, Nat. Brut., Hunger Mountain, Tupelo Quarterly, Isele, Vermont Public Radio, and elsewhere. She serves as Senior Editor of the South Asian Avant-Garde and Executive Creative Director of the Cambridge Writers’ Workshop, which she co-founded at Harvard in 2008. She received a Vermont Arts Council Creation Grant for her new memoir and manifesto on female cool, and one of the book’s opening chapters “Birth of Cool,” was a Notable Essay in the 2020 Best American Essays, and another chapter, “The Female Gaze,” was a Notable Essay in the 2023 Best American Essays.

[1] Reisner, Alex. “The Unbelievable Scale of AI’s Pirated Book Problem.” The Atlantic. Online. March 20, 2025.