Disobedient Futures: An Anthology (UPK, May 4, 2027) Cover Reveal & Pre-Order Page Launches

We are delighted to present the book trailer, cover reveal, & pre-order page for DISOBEDIENT FUTURES: AN ANTHOLOGY (University Press of Kentucky, May 4, 2027).

DISOBEDIENT FUTURES, edited by Rita Banerjee, Diana Norma Szokolyai, and Corrine Previte, is a speculative literature anthology that imagines what the future cultures of America and the world might look like through a diverse, inclusive, and multi-genre lens. The anthology includes fiction, poetry, nonfiction, hybrid work, art, and photography that explore utopian, dystopian, and alternative realities, futuristic places, and parallel histories through the perspectives of disobedient gender, disobedient identities, disobedient class, disobedient borders, and disobedient environmentalism. DISOBEDIENT FUTURES aims to foster new modes of critical inquiry and invites readers to play and imagine thought-provoking and more inclusive possibilities for the future.

Cover Design: Jamie McKee

Cover Art: Shanta Lee Honeycutt’s “Take Me To Where Souls Get Snatched” (2021) from the Dark Goddess: An Exploration of the Sacred Feminine exhibition. More info: Shantalee.com.

Featured Authors & Artists:

George Abraham | Thommy Ahneesan | Kazim Ali | Kenzie Allen | Paul Daniel Ash | Madeleine Barnes | Rita Banerjee | Zeina Hashem Beck | Alyssa Beckitt | Oliver Baez Bendorf | Emma Bolden | Frances Cannon | Alex Carrigan | Marianne Chan | Kholoud Charaf | Marlena Chertock | Kristina Marie Darling | JJJJJerome Ellis | Ayokunle Falomo | Carlos Andrés Gómez | Dipika Guha | Robin Hemley | Candace Jensen | Shanta Lee Honeycutt | Shirley Jones-Luke | Ilya Kaminsky | Liz Kellebrew | Raphaël Amahl Khouri | Samuel Kọ́láwọlé | Oksana Marafioti | Adam McOmber | Sebastian Merrill | Rajiv Mohabir | Neha Mulay | Ukamaka Olisakwe | Matthew Olzmann | January Gill O’Neil | Josiah Patterson | Diana Norma Szokolyai | Corrine Previte | Ruben Quesada | Thaddeus Rutkowski | Nneka Samuel | Jason Schneiderman | Kyle Scott | Dayton J. Shafer | Dennis Shafer | David Shields | Erin Stalcup | Margo Taft Stever | Bianca Stone | Anca L. Szilágyi | Brian Teare | Ella Voss | David Heska Wanbli Weiden | Cecilia Woloch

Preorder DISOBEDIENT FUTURES: AN ANTHOLOGY here now: https://www.kentuckypress.com/9781985905245/disobedient-futures/

About the Editors:

Rita Banerjee is associate professor of creative writing and director of the MFA Program for Writers at Warren Wilson College. She is coeditor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing and author of Echo in Four Beats, A Night with Kali, and Cracklers at Night. Banerjee is also cowriter of the documentary film Burning Down the Louvre. She cofounded and serves as executive creative director of the Cambridge Writers’ Workshop.

Diana Norma Szokolyai is a writer, teacher, and interdisciplinary artist. She is coeditor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing and author of Parallel Sparrows and Roses in the Snow. Her poetry has appeared in The Boston Globe, Critical Romani Studies, and The Poetry Miscellany. She cofounded and serves as executive artistic director of the Cambridge Writers’ Workshop.

Corrine Previte is a writer and educator living inBoston’s North Shore. Her work has appeared in Wanderlust Journal.Previte holds an M.Ed in English as a Second Language and Structured Literacy from Gordon College and serves as manager of the Cambridge Writers’ Workshop. She is currently working on her first children’s book.

Book Trailer Editor & Creator: Shanta Lee Honeycutt

Book Trailer 1 Music: “Khamaseen” (2022) from Tommy Ljungberg (a.k.a. “Dye O”) – Licensed via EpidemicSound.com.

Book Trailer 2 Music: “Disobey” (2026) composed by Dennis Shafer and Andy Gerard.

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Wordplay Radio Show featuring Rita Banerjee Now Available Online * 103.3 FM Asheville, NC * October 25, 2026 Episode

On October 25, 2026 at 5 pm EDT, Lockie Hunter interviewed author Rita Banerjee on her co-hosted radio show Wordplay on 103.3 FM Asheville, NC. Rita Banerjee spoke about her forthcoming co-edited book Disobedient Futures: An Anthology and her new writing projects. The October 25, 2026 Episode of WordPlay Radio Show is now available online here.

Wordplay every week features poets and writers of creative prose, sometimes in performance, and sometimes in conversation about their craft and ideas. Our guests have included Pulitzer Prize and National Book Award winners and high school students; writers who are household names (in households that read, at least), and writers who have only begun the process of interaction and publication that leads to recognition; formalists and performance poets – all working to keep language alive and real.

Listen to Wordplay live online or explore their radio show archives here.

Book Trailer for Disobedient Futures: An Anthology (University Press of Kentucky, May 4, 2027) Debuts

We are delighted to present the book trailer, cover reveal, & pre-order page for DISOBEDIENT FUTURES: AN ANTHOLOGY (University Press of Kentucky, May 4, 2027).

DISOBEDIENT FUTURES, edited by Rita Banerjee, Diana Norma Szokolyai, and Corrine Previte, is a speculative literature anthology that imagines what the future cultures of America and the world might look like through a diverse, inclusive, and multi-genre lens. The anthology includes fiction, poetry, nonfiction, hybrid work, art, and photography that explore utopian, dystopian, and alternative realities, futuristic places, and parallel histories through the perspectives of disobedient gender, disobedient identities, disobedient class, disobedient borders, and disobedient environmentalism. DISOBEDIENT FUTURES aims to foster new modes of critical inquiry and invites readers to play and imagine thought-provoking and more inclusive possibilities for the future.

Cover Design: Jamie McKee

Cover Art: Shanta Lee Honeycutt’s “Take Me To Where Souls Get Snatched” (2021) from the Dark Goddess: An Exploration of the Sacred Feminine exhibition. More info: Shantalee.com.

Featured Authors & Artists:

George Abraham | Thommy Ahneesan | Kazim Ali | Kenzie Allen | Paul Daniel Ash | Madeleine Barnes | Rita Banerjee | Zeina Hashem Beck | Alyssa Beckitt | Oliver Baez Bendorf | Emma Bolden | Frances Cannon | Alex Carrigan | Marianne Chan | Kholoud Charaf | Marlena Chertock | Kristina Marie Darling | JJJJJerome Ellis | Ayokunle Falomo | Carlos Andrés Gómez | Dipika Guha | Robin Hemley | Candace Jensen | Shanta Lee Honeycutt | Shirley Jones-Luke | Ilya Kaminsky | Liz Kellebrew | Raphaël Amahl Khouri | Samuel Kọ́láwọlé | Oksana Marafioti | Adam McOmber | Sebastian Merrill | Rajiv Mohabir | Neha Mulay | Ukamaka Olisakwe | Matthew Olzmann | January Gill O’Neil | Josiah Patterson | Diana Norma Szokolyai | Corrine Previte | Ruben Quesada | Thaddeus Rutkowski | Nneka Samuel | Jason Schneiderman | Kyle Scott | Dayton J. Shafer | Dennis Shafer | David Shields | Erin Stalcup | Margo Taft Stever | Bianca Stone | Anca L. Szilágyi | Brian Teare | Ella Voss | David Heska Wanbli Weiden | Cecilia Woloch

Pre-order DISOBEDIENT FUTURES here:
https://www.kentuckypress.com/9781985905245/disobedient-futures/

Book Trailer Editor & Creator: Shanta Lee Honeycutt

Book Trailer 1 Music: “Khamaseen” (2022) from Tommy Ljungberg (a.k.a. “Dye O”) – Licensed via EpidemicSound.com.

Book Trailer 2 Music: “Disobey” (2026) composed by Dennis Shafer and Andy Gerard.

Rita Banerjee featured on Wordplay Radio Show * 103.3 FM Asheville, NC * October 25, 2026, 5 pm EDT

On October 25, 2026 at 5 pm EDT, Lockie Hunter will be interviewing author Rita Banerjee on her co-hosted radio show Wordplay on 103.3 FM Asheville, NC. Rita Banerjee will be speaking about her forthcoming co-edited book Disobedient Futures: An Anthology and her new writing projects. Tune into the show online or live at 5 pm EDT on 103.3 FM Asheville on Sunday, October 25!

Wordplay every week features poets and writers of creative prose, sometimes in performance, and sometimes in conversation about their craft and ideas. Our guests have included Pulitzer Prize and National Book Award winners and high school students; writers who are household names (in households that read, at least), and writers who have only begun the process of interaction and publication that leads to recognition; formalists and performance poets – all working to keep language alive and real.

Listen to Wordplay live online or explore their radio show archives here.

Innovation & Empowerment: A Workshop for Writers feat. Rita Banerjee at the Ionion Center for the Arts and Culture, Kefalonia, Greece (July 10-28, 2026)

The Innovation & Empowerment: A Workshop for Writers (July 10-28, 2026) brings together an extraordinary faculty on the gorgeous greek island of Kefalonia to explore innovation and empowerment across literary genres. Featuring seminars led by Rita Banerjee, Molly Gaudry, Kristina Marie Darling, Simone Muench, Cutter Streeby, & Elizabeth A.I. Powell, we will discover new strategies for collaboration, hybrid writing, crafting short films and book trailers, as well as celebrating the artistic heritage of the island through lectures on the ode, Greek drama, and other topics as determined by student interest. The workshop will culminate in excursions to Assos, Fiskardo, Myrtos Beach, and many other breathtaking places on the island, where we will write and perform our work. Several distinguished visiting writers—including Matthew Rohrer, Avia Tadmor, Diana Whitney, and Jose Filipe Alvergue—will also join via zoom to share their work and provide writing prompts that will guide our creative practice. More information about the workshop details and registration deadlines follow below:

Innovation & Empowerment: A Workshop for Writers
Ionion Center for the Arts and Culture, 
https://ionionartscenter.gr/
The Greek Island Kefalonia | July 10- 28, 2026
Application is required through e-mail at info@ionionartscenter.gr
Deadlines for applications: March 30, 2026
Deadline for final enrollment: May 10, 2026

Additional Information : info@ionionartscenter.gr & ionionartscenter@gmail.com
Class program: kristina.marie.darling@gmail.com

Classical Greek and Indian Approaches to Poetry, Dramaturgy, and Storytelling: A Lecture and Workshop by Rita Banerjee * Kefalonia, Greece, July 18-19, 2026

During the Innovation & Empowerment: A Workshop for Writers (July 10-28, 2026), Rita Banerjee will be teaching a lecture and workshop for writers on “Classical Greek and Indian Approaches to Poetry, Dramaturgy, and Storytelling” on July 18-19, 2026, followed by a faculty reading with Dr. Kristina Marie Darling on July 18, 2026 at 6 pm. More information about the course follows below:

“Classical Greek and Indian Approaches to Poetry, Dramaturgy, and Storytelling” (A Lecture and Workshop by Dr. Rita Banerjee)

Innovation & Empowerment: A Workshop for Writers
Ionion Center for the Arts and Culture
The Greek Island Kefalonia | July 18-19, 2026
Apply: https://ionionartscenter.gr/

In The Republic (ca. 375 BCE), Plato states, “the tragic poet is an imitator, and therefore, like all other imitators, he is thrice removed from the king and from the truth.” Plato wants to kick the poet out of the republic because the poet does not answer to the king, and because poets challenge the ready-made truths of the status quo. In the Sanskrit tradition, the poet (kavī) is depicted as a wise seer (rishi), and one who holds up the heavens from the earth and thus serves as a translator of the celestial and the spiritual in the Rig Veda (ca. 1500 BCE). In response to his tutor Plato, Aristotle composes a defense of poetry in the Poetics (ca. 335 BCE), and argues that poetry, theatre, and literature are critically necessary for audiences as literature, and tragic theatre in particular, allows audiences to undergo catharsis. Aristotle maps how effective narratives can be built and how literature can be separated into the categories of comedy and tragedy. In contrast, in the Nāṭyaśāstra (ca. 200 BCE), Bharata outlines the eight main emotional states that are required to make any work of art become a classic. Bharata’s development of rasa theory provides a new way of considering narrative design which centers emotion, as do his discussions of bindus (turns) and how characters and plot develop in literary texts where emotion gives rise to action. In this class, we will study how literary theorists and dramaturgs such as Plato, Aristotle, Bharata, and Abhinavagupta offer different but intriguing approaches to poetry, dramaturgy, and storytelling and how we might use these classical Greek and Indian approaches to poetry and narrative design in our own creative work.

Screening of Mira Nair’s Mississippi Masala – June 16, 2026 * 6:15 pm

Rita Banerjee will introduce and lead the discussion for Mira Nair’s 1991 film, Mississippi Masala, staring Denzel Washington and Sarita Choudhury, on June 16, 2026 from 6:15-8:30 pm at the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München, (Ludwigstr. 31, Seminarraum 427).  Anyone interested in translation studies, Modern South Asian literature, or art house film is welcome to join the screening.

“Mississippi Masala vividly dramatizes the uncertain, frequently comic progress of the love affair of Mina, a spirited young Indian who has never seen India, and Demetrius, a conscientious, upwardly mobile black American who has never seen Africa.  The landscape of Mississippi Masala is brown and black and white. The blacks and whites have been in Greenwood for generations. The browns are newcomers. They are the Indian immigrants who have somehow found their way to Greenwood and, for reasons not entirely clear, have wound up owning most of the motels.  The Indian innkeepers are fastidious about their own manners and morals, but they are equally willing to rent rooms by the night, day or hour. It’s recognized as a respectable business. Yet the so-called New South remains a network of social and cultural taboos that almost wreck the lives of Mina and Demetrius.” – Vincent Canby, The New York Times

Rita Banerjee is an Assistant Professor of Creative Writing and Director, MFA Program for Writers at Warren Wilson College.

Rita Banerjee’s essay “American Caste” debuts in Isele Magazine (March 2026)

Rita Banerjee’s essay “American Caste” debuts in Isele Magazine’s first special issue of 2026. The essay will also be featured and anthologized in Disobedient Futures (University Press of Kentucky, 2027).

Founded in July 2020 by Nigerian novelist Ukamaka Olisakwe, Isele Magazine publishes notable fiction, poetry, essays, interviews, art/photography, and reviews from writers on the African continent and around the world. Isele believes that literature and the arts are an integral part of the daily conversations that uplift and/or shape our thinking. Isele publishes writers and artists who hold a mirror to our society, who challenge conventional expectations about ways of being, how to be, and who decides who should be.

Rita Banerjee’s essay “American Caste” explores the various kinds of caste systems, or social hierarchies, which invisibly structure, stratify, and thus, harm American society. In the essay, she writes:

There’s an old saying in India: “If you move across oceans, you lose all caste.” The dictum is meant to be a presage, a warning to those who seek the riches and adventures of outside worlds and once there, lose their foothold in society, or when returning home, find themselves a stranger in a stranger’s land.

Cross the dark waters and lose all varṇa—lose all indication of status, wealth, social rank, prestige, privilege, and power. Lose the language of home, lose its logic, lose the understanding of supremacy and subordination, lose the sense of right action, lose wrong thought.

When my father moved to the United States in 1973 as a young graduate from engineering school and then married my mother in 1976 and brought her back to New York with him (thus, abruptly halting her graduate studies and what might have been a prosperous career in academia), I like to think, in some sort of unconscious, subversive, maybe even self-destructive way, what my parents were fleeing was not war or communism or difficult financial circumstances or a democracy trying to grow through the stinging shards of post-colonialism, but what they subconsciously were escaping was caste.

To be a Brahmin in India was to acknowledge (if one dared) both your great privilege as keepers of sacred knowledge (as conveyers of grammar, astronomy, mathematics, statecraft, social mores, philosophy, and theories of art and human behavior) across generations, and your incredible complicity in the social violence that is the Indian caste system.

The first acknowledgement celebrated high culture and the triumph of Brahmanism across millennia in the face of challenges from Buddhism, Jainism, Cārvāka materialism, and Bhaktism (all of which sought to dismantle caste), and in the face of Zoroastrianism, Islam, Sikhism, Christianity, and Judaism (which offered South Asians alternative models to achieve enlightenment). The second asked Brahmins to interrogate what was behind their lofty, aspirational, and supposedly innocuous ideal of “knowledge is power.”

* * *

In Caste Matters, Suraj Yengde writes, “caste should no longer be invisible” (35).

Caste, in its most basic form and intent, identifies, venerates, and calcifies social hierarchies. By capitalizing on the fear of the other, caste systems hinder social mobility and aim to prevent people from mixing across tribal, class, gender, religious, linguistic, and ability categories. By being encoded into social stigmas and taboos and being systemic in nature, caste often functions as an “invisible” force that makes us fear anyone who is unlike us. Caste makes us suspect anyone who exists outside of our spectrum of knowledge, culture, or kin. By consolidating socio-political power to those who have the most cultural capital or are perceived to be of the highest social rank, caste allows the few to benefit from the oppression, exploitation, and sacrifices of the many.

Read the full version of Rita Banerjee’s essay “American Caste” in Isele Magazine here.

March 4-7: AWP 2026 Events feat. Rita Banerjee

If you are planning to attend the AWP 2026 Conference in Baltimore, MD from March 4-7, 2026, stop by these events featuring Rita Banerjee and the MFA Program for Writers at Warren Wilson College! The MFA Program for Writers will be celebrating its 50th Anniversary at a variety of events on March 6, 2026. And to learn more about the MFA Program for Writers at Warren Wilson College, stop by the Warren Wilson MFA Booth (#T492) at the AWP 2026 Conference!

Friday, March 6, 2026:

“A Lifetime to Write: 50 Years of the
Warren Wilson MFA Program for Writers”
feat. Yanyi, Rita Banerjee, Alix Ohlin,
Chris Castellani, and Martha Rhodes

March 6, 2026 * 12:10-1:15 pm EST
Room 316, Level 300, Baltimore Convention Center
1 W Pratt St, Baltimore, MD 21201

MFA Program for Writers
50th Anniversary Reading

March 6, 2026 * 6:30-7:45 pm EST
Lord Baltimore Royal Theatre
Lord Baltimore Hotel, 20 W Baltimore St Baltimore, MD 21201

MFA Program for Writers
at Warren Wilson College Reception

March 6, 2026 * 7:30-10:30 pm EST
Lord Baltimore Royal Board Room
Lord Baltimore Hotel, 20 W Baltimore St Baltimore, MD 21201

January 2026 Faculty Lectures from the MFA Program for Writers at Warren Wilson College Now Available

The MFA Program for Writers at Warren Wilson College recently celebrated its annual winter residency in Black Mountain, NC this July. The residency featured inspiring lectures and classes from both faculty and graduating students. And writers and readers can access the wonderful craft discussions and lectures from the MFA Program for Writers faculty online here. All MFA Store proceeds directly support graduate student scholarships in the MFA Program for Writers.

Rita Banerjee’s Opening Lecture “Weaving, Braiding, Spinning: Art of the Lyrical, Nonlinear Narrative” challenges the dominance of the plot triangle, hero’s journey, and Aristotelian ideal of “plot as action” by exploring three approaches to narrative design that are derived from what was historically considered women’s work: weaving, braiding, and spinning. These structural forms, which help acknowledge the context of a text and make room for nonlinear, polyvocal narratives, move storytelling away from an egocentric, “masculo-sexual” plot triangle, to what Jane Alison calls a more communal, “allocentric” narrative design. Authors studied in this talk include Jane Alison, Elissa Washuta, Theresa Warburton, Ovid, Goethe, M. NourbeSe Philip, Lidia Yuknavitch, and Kate Morton. 

The Warren Wilson MFA Program for Writers store features a rich archive of faculty lectures and craft discussions from January 1992 – January 2026, and can be accessed here: warrenwilsonmfa.org/store/