Rita Banerjee

Rita Banerjee’s Echo in Four Beats (March 9, 2018) is available for order on the Finishing Line Press website as well as at Barnes & Noble and internationally on Amazon.com.

Rita Banerjee’s debut poetry collection, Echo in Four Beats, has been nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, has been selected by Finishing Line Press as their 2018 Nominee for the National Book Award in Poetry, has been nominated for the 2018 Kate Tufts Discovery Award, and was recently named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018.”

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats.  But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats.  Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Book Prize, the Aquarius Press/Willow Books Literature Award, was released by Finishing Line Press on March 9, 2018.

Reviews & Press for Echo in Four Beats:

•  “Echo in Four Beats by Rita Banerjee”
  –Pauline Jansen van Rensburg,
  The Quarterly Conversation, September 17, 2018
• “Metered Orange: Review of Rita Banerjee’s Echo in Four Beats” 
  –Kendrick Loo, Singapore Unbound, September 3, 2018
• “Must-Read Voices from Split This Rock 2018”
  –Christina M. Rau, Book Riot, May 6, 2018
• “Yellow Rabbits Review #43: Echo in Four Beats by Rita Banerjee” 
  –Greg Bem, May 6, 2018
• “Split This Rock! 2018: Three Days in a Poet’s (almost) Utopia”
  –Deborah A. Miranda, April 24, 2018
•  “Tongues Circling Stories: A Book Review of ‘Echo in Four Beats’ by Rita Banerjee”
  –Emily Shearer, Minerva Rising,  April 5, 2018
•  “The Rita Banerjee’s Echo in Four Beats”
  –Melissa Grunow, The Coil, March 27, 2018.
•  “Echo Speaks: Rita Banerjee Presents Debut Poetry Collection” 
  –Angie, Sykeny, The Hippo, March 22, 2018.

Praise for Echo in Four Beats:

“Echo in Four Beats sounds the singular pulse of Harlem, Kyoto, Nainital and San Francisco to uncover a deeper mystery; what makes a word into a sensation, a sensation into a moment and what, in the swirling constellation of geographies, turns a moment into the sublime. Amidst the kinetic search for buried treasure in everyday encounters with photocopiers and the breathless search for lost objects, there are also unexpected collisions with silence so shocking, they stop us dead in our tracks. We realise the whiteness between words was here all along; its stillness curving the inside of this syncopated journey across time and space.”

— Dipika Guha, playwright and author of Mechanics of Love and The Rules, and screenwriter for American Gods

“Rita Banerjee’s Echo in Four Beats is a lyric wonder. Wildly intertextual and multilingual, Banerjee mines literatures, histories, and geographies, both eastern and western, to produce an expansive collection of poems. The breadth of her work is staggering and yet utterly approachable, at once intimate and worldly. This may well be the first truly post-national book of poems I’ve ever read. I look forward to reading it again and again.”

— Jaswinder Bolina, author of The 44th of July, Phantom Camera, and Carrier Wave

“Rita Banerjee’s Echo in Four Beats is a multilingual, intercontinental arpeggio of a journey on which ‘one layer/ of enchantment// dispels another.’ From Ovid to Baudelaire, from Manhattan to Atlantis to the Ganges, these poems conjure shape-shifting and gyroscopic worlds where erasure is sustenance, myth is religion, and home is but a constant state of momentary arrivals. Banerjee’s attentive, precise, incantatory poems reverberate ‘not sound not/ voice” and resound with the “enchantments of art/ and life.’”

— Tara Skurtu, author of The Amoeba Game and Skurtu, Romania

“In our narcissism-addled times, Rita Banerjee awakens Echo out of mythical slumber and accords her center stage, with stirring results. These poems dance nimbly from the playful to the sacred, the pentatonic-ancient to the jazzy-contemporary, the observational to the contemplative, and cross languages and borders with abandon, from trains in India to a Munich museum to the local copy shop. Yet while they may ‘change [their] temperament as quickly as salamanders change skin,’ Echo in Four Beats  is constantly returning us to a tonic center and rebuilding its chords and arpeggios anew, offering a music both savory and profound.”

— Tim Horvath, author of Understories and Circulation

“Banerjee’s polyglot collection–pushing at the edges of language; abounding with erasure, mistranslation and wit; impossible to contain in a single tongue. From the smallest pieces of our world–the falling snow, cobblestone, a reflection in the water–Banerjee has crafted something astonishing that reaches towards higher truths.”

— Stephen Aubrey, author of Daguerreotype and What I Took in My Hand and Co-Artistic Director of The Assembly Theater, NYC

Praise for Cracklers at Night:

“Rita Banerjee’s poems are an acrobatic music, a swinging erudition, a hip lyric to make shape of Whitman’s “ostent evanescent”, a phrase he uses to conjure the metaphysical projections of the physical world. Banerjee, with thrilling compression and off-beat breaks, fashions a multi-dimensional America…With wit, play, consonance, anagram, assonance, the unexpected rhyme, Banerjee offers, in this short collection, a material, feminist, postcolonial critique of where we are as a nation, what we are made of, what we fail to make, and what we can make of language regardless. Cracklers at Night is a fantastic debut.”

— Patrick Rosal, author of Brooklyn Antediluvian, My American Kundiman, Boneshepherds, and Uprock, Headspin, Scramble, and Dive

“’I had no roam / no hope to / call a // road’” writes Rita Banerjee, but I don’t believe her for a second. This is a mobile and hopeful speaker, capable of making her home in a rail car heading out of Manipal just as easily as she inhabits Renoir’s Bougival. Throughout, the worldliness is laced with heartache, in search of “’some solace that would heal the lines / between blue and continent.’”

— Srikanth Reddy, author of Voyager, Facts for Visitors, Readings in World Literature, and Changing Subjects: Digressions in American Poetry

“Rita Banerjee’s poems spin the reader into a world of tightly packed imagery that leaves us gasping at the edge of violent endings or floating in wondrous, ancient silences. With lyric intensity, delicacy, and humor, she has the capacity to make places and sounds palpable, taking the reader on a journey from Harlem to the Himalayas. This is a new voice of hypnotizing and rare beauty.”

— Diana Norma Szokolyai, author of Parallel Sparrows and Roses in the Snow, editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing

Rita Banerjee is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts.  As a writer, she is the co-editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018), and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, was nominated for the 2019 Lenore Marshall Poetry Prize at the Academy of American Poets, the 2018 Kate Tufts Discovery Award, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010).  As a filmmaker, she is the co-writer and co-director of Burning Down the Louvre (April 2019), a documentary film about race, intimacy, and tribalism in the United States and in France.

Rita Banerjee received her doctorate in Comparative Literature from Harvard University and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants. Her writing has appeared on-air on Goddard College Community Radio’s Bon Mot and KBOO Radio’s APA Compass, and in print in the Academy of American Poets, Poets & Writers, Hunger Mountain, Nat. Brut., The Scofield, The Rumpus, Painted Bride Quarterly, Tahoma Literary Review, Mass Poetry, Hyphen Magazine, Los Angeles Review of Books, Electric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, and elsewhere. She serves as the Executive Creative Director of the Cambridge Writers’ Workshop, and is an Associate Scholar of Comparative Literature at Harvard.  She is the judge for the 2019 Spider Road Press Flash Fiction Contest and she served as the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest.  She is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.  Her writing is represented by agents Jeff Kleinman and Jamie Chambliss of Folio Literary Management.