The Munich Readery features Rita Banerjee’s Echo in Four Beats on June 2, 2018 * 7-8:30 pm

The Munich Readery Presents:
Rita Banerjee’s Echo in Four Beats
The Munich Readery * 7:00 – 8:30 pm
Augustenstr. 104, Munich, Germany

The Munich Readery will host Rita Banerjee for a reading and book signing for her new poetry collection Echo in Four Beats on Saturday, June 2 from 7-8:30 pm!  Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats.  But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats.

Echo in Four Beats is Finishing Line Press’s 2018 Nominee for the National Book Award in Poetry!

“In our narcissism-addled times, Rita Banerjee awakens Echo out of mythical slumber and accords her center stage… These poems dance nimbly from the playful to the sacred, the pentatonic-ancient to the jazzy-contemporary, the observational to the contemplative, and cross languages and borders with abandon.” — Tim Horvath, author of Understories

Banerjee has crafted something astonishing that reaches towards higher truths.” — Stephen Aubrey, Co-Artistic Director of The Assembly Theater, NYC

Find more information about Rita Banerjee’s Echo in Four Beats and CREDO Book Tours here!

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry, the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010).  She is the Executive Creative Director of the Cambridge Writers’ Workshop and teaches on modernism, art house film, and South Asian literary theory and aesthetics at the Institute for Indology and Tibetology at Ludwig-Maximilians-Universität München in Germany.

CREDO & the Cambridge Writers’ Workshop feat. at the Grolier Poetry Festival – Saturday June 2, 12-8pm, Harvard Square, Cambridge, MA

On Saturday June 2, 2018, the Grolier Poetry Book Shop, the oldest poetry bookstore in the United States, will be celebrating its 90th Anniversary in Cambridge, MA. In order to celebrate 90 years of literary and intellectual activity, the Grolier will be hosting The Grolier Poetry Festival, featuring street performances, writing workshops, literary readings, food, and books in Harvard Square.  The Cambridge Writers’ Workshop is delighted to be featured at the Grolier Poetry Festival on June 2 in Harvard Square.  Join us for our featured readings, performances, and CREDO Workshop!  The Cambridge Writers’ Workshop’s new anthology CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (eds. Rita Banerjee & Diana Norma Szokolyai, May 15, 2018) can be pre-ordered form C&R Press here!  Information about our events and writers are posted below:

A 90th Anniversary Celebration
June 2, 2018, 12pm–8pm

Location: Outside Plympton St,
Between Mass Ave & Bow Street
Harvard Square, Cambridge, MA
1:00-2:00pm                
Welcome and Opening Remarks, Ifeanyi Menkiti, Proprietor, Director, Grolier Poetry Book Shop
 
Poets Read
David Ferry, Kathleen Spivack, and Lloyd Scwartz and Lillian Yvonne Bertram
 
2:40–3:35pm
Poets Read
Cambridge Writer’s Workshop: Diana Norma Szokolyai, accompanied by Audrey Harrer, Harpist • Kevin McLellan
 
3:35-4:15pm  (off stage)
Diana Norma Szokolyai leads a workshop based on CREDO: An Anthology of Manifestos and Sourcebook for Creative Writingthat she and Rita Banerjee edited. This newly released book will be available for purchase.

Featured Authors:

DianVersion 2a Norma Szokolyai is author of Parallel Sparrows (honorable mention for Best Poetry Book, 2014 Paris Book Festival), Roses in the Snow (first runner­up, Best Poetry Book, 2009 DIY Book Festival), and a feminist rewriting of a classic fairytale for Brooklyn Art Library’s The Fiction Project, entitled Beneath the Surface: Blue Beard, Remixed. Szokolyai’s poetry and prose has been published in MER VOX Quarterly, VIDA Review, Quail Bell Magazine, The Boston Globe, Luna Luna Magazine, Up the Staircase Quarterly, and has been anthologized in Other Countries: Contemporary Poets Rewiring History, Teachers as Writers & elsewhere. Her edited volume is CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (C&R Press, 2018). She’s founding Executive Artistic Director of Cambridge Writers’ Workshop. Szokolyai is author of Introduction, and the essay “What’s At Stake?” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Kathleen Spivack’s novel Unspeakable Things was released by Knopf in early 2016. Her previous book, the memoir With Robert Lowell and His Circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz and Others was published by the University Press of New England in 2012. Her chapbook, A History of Yearning, won the Sows Ear International Poetry Chapbook Prize in 2010, and she recently received the Allen Ginsberg, Erika Mumford, and Paumanok awards for her poetry. Her book won the New England Book Festival and London Book Festival Prizes. Published in over 400 magazines and anthologies, Kathleen’s work has been translated into French. She has held grants from the National Endowment for the Arts; Massachusetts Artists Foundation; Bunting Institute; Howard Foundation; Massachusetts Council for the Arts and Humanities; is a Discovery winner and has been at Yaddo, MacDowell, Ragdale, Karolyi, and the American Academy in Rome. In Boston and Paris she directs the Advanced Writing Workshop, an intensive training program for professional writers. She has taught at conferences in Paris, Aspen, Santa Fe, Burgundy, Skidmore, and on the high seas, (Holland American Line). Spivak is the author of the Craft of Writing essays, “The Writing Exercise: A Recipe” and “Words As Inspiration” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Kevin McLellan is the author of Ornitheology (The Word Works, 2018), Hemispheres (Fact-Simile Editions, 2018), [box] (Letter [r] Press, 2016), Tributary (Barrow Street, 2015), and Round Trip (Seven Kitchens, 2010). He won the 2015 Third Coast Poetry Prize and Gival Press’ 2016 Oscar Wilde Award, and his poems appear in numerous literary journals. Kevin lives in Cambridge, Massachusetts. McLellan’s essay, “Attributes: A Prompt,” can be found in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Cambridge Writers’ Workshop presents Disobedient Futures – A Split This Rock Festival Reading – Friday, April 20, 2018

In honor of the Split This Rock Poetry Festival: Poems of Provocation and Witness (April 19-21, 2018), the Cambridge Writers’ Workshop will be hosting its reading Disobedient Futures at the Colony Club in Washington D.C./ this Friday, April 20, 2018 from 5:30 pm – 7:30 pm.  Disobedient Futures will feature readings from Rita BanerjeeAlex CarriganMarlena Chertock, and Christina M. Rau .

To get to the reading at the Colony Club, please take the Green line Metro towards Greenbelt and exit at the Columbia Heights Station, then walk to 3118 Georgia Ave NW, Washington DC 20010.

Featured Readers:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently an associate editor with the American Correctional Association. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C. and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Wordgathering, and more. Marlena often moderates or speaks on panels at literary conferences and festivals. She serves as the Communications Coordinator for the LGBTQ Writers Caucus. Find her on Twitter at @mchertock.

 

Christina M. Rau is the author of the sci-fi fem poetry collection, Liberating The Astronauts (Aqueduct Press, 2017), and the chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Her poetry has also appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and in various literary journals both online and in print. She is the founder of the Long Island reading circuit, Poets In Nassau, and has read and run workshops for various community groups nationwide. She teaches English and Creative Writing at Nassau Community College where she also serves as Poetry Editor for The Nassau Review. In her non-writing life, she teaches yoga occasionally and line dances on other occasions.

Our readers Rita BanerjeeMarlena Chertock, and Christina M. Rau will also be hosting a panel during Split This Rock, entitled Fantasy As Reality: Activism & Catharsis in Speculative Writing,” which will be held at National Housing Center Room B (1201 15th Street NW, Washington, DC 20005) on Saturday, April 21 from 9-10:30 am. The Fantasy As Reality is described below:

“This panel will demonstrate how non-realist poems and prose can offer a space for political critique and empowerment. We will ask audience members about their own speculative writing and reading experiences and offer prompts to those who wish to work on similar future writing. Speculative and science fiction are often stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology centered on white cis males. However, women, non-binary, and activist writers of speculative literature are purposefully subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Speculative literature, at its core, is about giving voice to ‘The Other.’ Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and other traditionally neglected voices. Sci-fi and fantasy characters and voices can—and should—represent the underrepresented to create a sense of community as well as to challenge injustices in our real world.”

We hope to see you at some of our events at Split This Rock !

Split this Rock 2018 Festival: Fantasy as Reality: Activism and Catharsis through Speculative Writing Panel feat. poets Rita Banerjee, Christina M. Rau, Marlena Chertock, and Alex DiFrancesco

Poets Rita Banerjee, Christina M. Rau, Marlena Chertock, and Alex DiFrancesco will be featured in the panel Fantasy As Reality: Activism and Catharsis Through Speculative Writing” at the 2018 Split This Rock Poetry Festival.  Split This Rock: Poems of Provocation & Witness will take place from April 19-21, 2018 in Washington, D.C.  You can read more about the festival here and the panel below:

Fantasy As Reality: Activism and Catharsis Through Speculative Writing
Split This Rock: Poems of Provocation & Witness 2018 Festival
Saturday, April 21, 2018 * 9:00 am – 10:30 am
National Housing Center Room B
1201 15th Street NW, Washington, DC 20005

Speculative literature, at its core, is about giving voice to “The Other.” Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present, but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and more. Terms like solarpunk and sco-speculation are becoming more used and explored. Often times, speculative and science fiction is stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology involving mostly cis white males. However, women, non-binary, and activist writers of Speculative Fiction are purposefully  subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Sci-fi and fantasy characters and voices can and should represent the underrepresented to create a sense of community as well as rail against injustices in this world.

RitaBanerjeeRita Banerjee is the author of Echo in Four Beats (2018), CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (2018), the novella “A Night with Kali” in Approaching Footsteps (2016), and Cracklers at Night (2010). She earned her doctorate from Harvard, and she is the Executive Creative Director of the Cambridge Writers’ Workshop. Her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut., Painted Bride Quarterly, Hyphen Magazine, LARBElectric Literature, and elsewhere. Follow her at ritabanerjee.com or @Rita_Banerjee

 

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C. and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Wordgathering, and more. Marlena often moderates or speaks on panels at literary conferences and festivals. She serves as the Communications Coordinator for the LGBTQ Writers Caucus. Find her on Twitter at @mchertock.

 

Christina M. Rau is the author of the sci-fi fem poetry collection, Liberating The Astronauts (Aqueduct Press, 2017), and the chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Her poetry has also appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and in various literary journals both online and in print. She is the founder of the Long Island reading circuit, Poets In Nassau, and has read and run workshops for various community groups nationwide. She teaches English and Creative Writing at Nassau Community College where she also serves as Poetry Editor for The Nassau Review. In her non-writing life, she teaches yoga occasionally and line dances on other occasions.

Alex DiFrancesco is a writer, activist, and baker. Their first novel, The Devils That Have Come to Stay, is an acid western that deals with social justice histories of the California Gold Rush. Their current project is a climate-change fiction sci-fi novel set in a future New York City, and deals largely with socio-economic disparity and alternative utopias. Their work has appeared in The Washington Post, Tin House, Brevity, Longreads, The Heart Podcast, and more. They have recently relocated from New York City to rural Ohio, where they are still adjusting to things like “Sweetest Day.” They are currently an MFA candidate at a consortium program in Northeast Ohio.

Echo in Four Beats Launch Party at the Weehawken Writers & Artists Studio

The Launch Party for Rita Banerjee’s Echo in Four Beats took place on Sunday, April 8 at the Weehawken Writers and Artists Studio.  The event included author signings, reading and performances from Echo in Four Beats, CREDO: An Anthology of Manifestos and Sourcebooks for Creative Writing, and poetry and fiction performances from writers Dallas AthentJonah Kruvant, and the editors of Quiet Lunch.  A gallery of the Echo in Four Beats festivities follows below:

Book Tour for Rita Banerjee’s Echo in Four Beats & CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing

Interested in getting a signed copy of Rita Banerjee’s new poetry collection Echo in Four Beats (Finishing Line Press, March 2018) or edited volume CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and meeting the author?  If so, check out the book tour and signing schedule for Echo in Four Beats and CREDO below:

Thursday July 28, 2018:

Paris Lit Up featuring Rita Banerjee
Culture Rapide * 8:45 – 11:00 pm
103 rue Julien Lacroix,75020 Paris, France

Saturday June 2, 2018

The Munich Readery Presents:
Rita Banerjee’s Echo in Four Beats
The Munich Readery * 7:00 – 8:30 pm
Augustenstr. 104, Munich, Germany

Saturday June 2, 2018:

Cambridge Writers’ Workshop Reading &
CREDO: An Anthology of Manifestos Workshop
Grolier Poetry Festival – 90th  Anniversary Celebration
Plympton Street, Between Mass Ave & Bow Street
Harvard Square, Cambridge, MA * 2:40 – 4:15 pm

Friday April 20, 2018:

Disobedient Futures
A Split This Rock Off-Site Reading
Colony Club * 5:30-7:30pm
3118 Georgia Ave NW, Washington, DC 20010

Sunday April 8, 2018:

Echo in Four Beats Launch Party
Weehawken Writers and Artists Studio * 6-9 pm
10 Louisa Pl, Weehawken, NJ, 07086

Friday April 7, 2018:

Echo in Four Beats at First Fridays
The Zeitgeist Outpost * 7-8 pm
186 ½ Hampshire St., Cambridge, MA 02139

Tuesday March 27, 2018:

Public Reading & Q&A with Rita Banerjee
New Hampshire Institute of Art * 5:30-8:30 pm
148 Concord St, Manchester, NH 03104

Saturday March 10, 2018:

Echo in Four Beats Signing
Finishing Line Press Table (T743) * 1-2 pm
AWP 2018 Bookfair, Tampa Convention Center
333 S Franklin St, Tampa, FL 33602

Friday March 9, 2018:

Spontaneous Reading Party
Celebrating the Pre-Launch of CREDO
Centre for Women * 7:00 – 11:00 pm
305 S Hyde Park Ave, Tampa, FL 33606

Friday March 9, 2018:

CREDO Authors’ Signing
Cambridge Writers’ Workshop Table (T403) * 2-4 pm
AWP 2018 Bookfair, Tampa Convention Center
333 S Franklin St, Tampa, FL 33602

Friday March 9, 2018:

Echo in Four Beats Signing
Cambridge Writers’ Workshop Table (T403) * 1-2 pm
AWP 2018 Bookfair, Tampa Convention Center
333 S Franklin St, Tampa, FL 33602

Thursday March 8, 2018:

CREDO Editors’ Signing
C&R Press Booth (1036) * 2-3 pm
AWP 2018 Bookfair, Tampa Convention Center
333 S Franklin St, Tampa, FL 33602

April 8, 6-9 pm: Echo in Four Beats Launch Party at the Weehawken Writers and Artists Studio!

Sunday, April 8 * 6-9 pm
Weehawken Writers & Artists Studio
10 Louisa Pl., Weehawken, NJ 07086

Admission: Free

The Weehawken Writers & Artists Studio is delighted to host the launch party of Rita Banerjee’s debut poetry collection Echo in Four Beats !

Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats . But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats.Echo in Four Beats, which was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Book Prize, the Aquarius Press/Willow Books Literature Award, was released by Finishing Line Press this March!

Books will be be available for purchase and signing by Rita!
Readings by: Rita Banerjee, Dallas Athent, Jonah Kruvant, and more!

About the Author:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

AWP 2018 Events feat. author Rita Banerjee

Author Rita Banerjee will be featured at a variety of book signings and readings at the AWP 2018 Conference in Tampa, Florida.  Here is a quick guide of the events she will be featured in:


CREDO Editors
 Rita Banerjee & Diana Norma Szokolyai will be signing copies at the C&R Press Booth (Booth 1036) on Thursday, March 8 between 2-3pm!  For more information see the C&R Press Author signing page here.

CREDO contributing authors will be signing copies at the CWW table, T403 near the left-most entrance, on March 9 between 2-4pm!

 

 


Rita Banerjee
will be signing for CREDO and her new poetry collection Echo in Four Beats (Finishing Line Press, March 2018) at the Cambridge Writers’ Workshop Table (T403) from 1-2 pm on Friday, March 9, 2018.  She will also be signing for Echo in Four Beats at the Finishing Line Press Table (T743) from 1-2 pm on Saturday, March 10, 2018.

 

 

 

The Cambridge Writers’ Workshop is delighted to celebrate the pre-launch of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing at the Spontaneous Reading Party, at the AWP 2018 Conference in Tampa, Florida.

SPONTANEOUS READING PARTY presented by C&R PressWomen’s National Book Association and Cambridge Writers’ Workshop will take place on Friday, March 9 from 7-11 pm at the historic The Centre for Women Hyde Park Mansion. The party will featuring readings from C&R Press authors and CREDO Contributors, and will feature a full bar and food.  The location for the party is less than one mile from the AWP Convention Center.  To register for free tickets to the Spontaneous Reading Party, please register via Eventbrite here.

From the Cambridge Writers’ Workshop, we’re proud to feature our CREDO contributing authors Rita BanerjeeAlexander Carrigan, Janine Harrison, Kevin McLellan,  Nell PainterMaya SonenbergAnca L. Szilágyi, and Diana Norma Szokolyai at the Spontaneous Reading Party

Celebrate the Pre-Launch of CREDO with the Cambridge Writers’ Workshop, C&R Press, and Women’s National Book Association at AWP 2018!

The Cambridge Writers’ Workshop is delighted to celebrate the pre-launch of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing at the Spontaneous Reading Party, at the AWP 2018 Conference in Tampa, Florida.

SPONTANEOUS READING PARTY presented by C&R PressWomen’s National Book Association and Cambridge Writers’ Workshop will take place on Friday, March 9 from 7-11 pm at the historic The Centre for Women Hyde Park Mansion.  The party will featuring readings from C&R Press authors and CREDO Contributors, and will feature a full bar and food.  The location for the party is less than one mile from the AWP Convention Center.

To register for free tickets to the Spontaneous Reading Party, please register via Eventbrite here.

From C&R Press, readers include: Brian LeungKristina Marie Darling, Earl Braggs, Katie RoginSybil BakerLaura Catherine BrownAriel FranciscoValerie TomaselliBrenna Womer, Erik Rasmussen and more.

From the Cambridge Writers’ Workshop, we’re proud to feature our CREDO contributing authors Rita BanerjeeAlexander CarriganAriel FranciscoJanine HarrisonNell Irvin PainterAnca L. Szilágyi, and Diana Norma Szokolyai at the Spontaneous Reading PartyRead more about our featured CREDO authors below!

Rita Banerjee is the author of Echo in Four Beats (Finishing Line Press, February 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA from the University of Washington. Her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop, editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, and the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and is currently working on a novel, a documentary film about race and intimacy in the United States and in France, and a collection of essays on race, sex, politics, and everything cool.  Banerjee teaches at Ludwig-Maxmilian University of Munich in Germany. Banerjee is author of the essays “CREDO” and “Rasa: Emotion and Suspense in Theatre, Poetry and, (Non)Fiction,” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently a news copy editor for Rare.us. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Ariel Francisco is the author of All My Heroes Are Broke (C&R Press, 2017) and Before Snowfall, After Rain (Glass Poetry Press, 2016). Born in the Bronx to Dominican and Guatemalan parents, he completed his MFA at Florida International University in Miami. His poems have appeared or are forthcoming in The Academy of American PoetsThe American Poetry ReviewBest New Poets 2016Gulf CoastWashington Square, and elsewhere. He lives and teaches in South Florida. Francisco’s poems can be found in the Craft of Writing section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Janine Harrison, M.A., M.F.A., poet, nonfictionist, and fiction writer, teaches creative writing at Purdue University Calumet and leads the nonprofit organization, Indiana Writers’ Consortium.  Her work has been published or is forthcoming in A&UVeils, Halos, and Shackles (Kasva Press, 2016); and other publications. She is currently finishing her first poetry collection, The Weight of Silence.  Janine lives with husband, fiction writer Michael Poore, and daughter, Jianna, in NW Indiana. Harrison’s essay, “In Ink: Tattoo Images and Phrases,” appears in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Nell Irvin Painter is the Edwards Professor of American History, Emerita, at Princeton University and author of several books including Sojourner Truth, A Life, A Symbol, The History of White People, and Standing at Armageddon: The United States: 1877-1919. In additiona to a Ph.D. in history from Harvard University, she holds a BFA from Mason Gross School of the Arts and an MFA from the Rhode Island School of Design, both in painting. Her art school memoir is entitled Old In Art School: A Memoir of Starting Over. Painter’s essays, “Leaving My Former Life” and “You’ll Never Be A Painter!” appear in the Manifesto section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Maya Sonenberg is the author of the story collections Cartographies (winner of the Drue Heinz Prize for Literature) and Voices from the Blue Hotel.  26 Abductions, a chapbook of her prose and drawings was published in 2015 by The Cupboard, and her newest chapbook of prose and photographs, After the Death of Shostakovich Père, won the PANK [Chap]book contest and will appear in 2018. Other fiction and nonfiction have appeared in Fairy Tale ReviewWeb ConjunctionsDIAGRAM, New Ohio ReviewThe LiterarianLady Churchill’s Rosebud Wristlet, Hotel Amerika, and numerous other journals, both in print and online. Her writing has received grants from the Washington State Arts Commission and King County 4Culture. She teaches in the creative writing program at the University of Washington. Sonenberg is the author of “Beyond The Plot Triangle” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Anca L. Szilágyi’s debut novel is Daughters of the Air. Her writing has appeared or is forthcoming from Los Angeles Review of BooksElectric Literature, and Lilith Magazine, among other publications. She is the recipient of the inaugural Artist Trust / Gar LaSalle Storyteller Award, a Made at Hugo House fellowship, and awards from the Vermont Studio Center, 4Culture, the Seattle Office of Arts & Culture, and the Jack Straw Cultural Center. The Stranger hailed Anca as one of the “fresh new faces in Seattle fiction.” Originally from Brooklyn, she currently lives in Seattle with her husband. Find her on Twitter @ancawrites. Szilagyi is the author of “Summer-Inspired Writing Prompts,” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

DianVersion 2a Norma Szokolyai is author of Parallel Sparrows (honorable mention for Best Poetry Book, 2014 Paris Book Festival), Roses in the Snow (first runner­up, Best Poetry Book, 2009 DIY Book Festival), and a feminist rewriting of a classic fairytale for Brooklyn Art Library’s The Fiction Project, entitled Beneath the Surface: Blue Beard, Remixed. Szokolyai’s poetry and prose has been published in MER VOX Quarterly, VIDA Review, Quail Bell Magazine, The Boston Globe, Luna Luna Magazine, Up the Staircase Quarterly, and has been anthologized in Other Countries: Contemporary Poets Rewiring History, Teachers as Writers & elsewhere. Her edited volume is CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing (C&R Press, 2018). She’s founding Executive Artistic Director of Cambridge Writers’ Workshop. Szokolyai is author of Introduction, and the essay “What’s At Stake?” in CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).Celebrate the Pre-Launch of CREDO with the Cambridge Writers’ Workshop, C&R Press, and Women’s National Book Association at AWP 2018!

Split this Rock 2018 Poetry Festival Panel feat. Rita Banerjee, Christina M. Rau, Marlena Chertock, and Alex DiFrancesco Announced!


Poets Rita Banerjee, Christina M. Rau, Marlena Chertock, and Alex DiFrancesco will be featured in the panel “Fantasy As Reality: Activism and Catharsis Through Speculative Writing” at the 2018 Split This Rock Poetry Festival.  Split This Rock: Poems of Provocation & Witness will take place from April 19-21, 2018 in Washington, D.C.  You can read more about the festival here and the panel below:

Speculative literature, at its core, is about giving voice to “The Other.” Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present, but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and more. Terms like solarpunk and sco-speculation are becoming more used and explored. Often times, speculative and science fiction is stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology involving mostly cis white males. However, women, non-binary, and activist writers of Speculative Fiction are purposefully  subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Sci-fi and fantasy characters and voices can and should represent the underrepresented to create a sense of community as well as rail against injustices in this world.