Rita Banerjee’s Guest Lecture on “Narrative Forms from World Literature” at Yale University | February 21, 2024 * 2:30 pm EST

On Wednesday, February 21, 2024, Dr. Rita Banerjee will be a Visiting Lecturer in Adam Sexton’s Class “The Craft of Fiction” at Yale University. She will present on “Narrative Forms from World Literature: Rasa Theory & Kishōtenketsu” and the lecture details follow below:

“Narrative Forms from World Literature: Rasa Theory & Kishōtenketsu”
A Guest Lecture by Dr. Rita Banerjee
February 21, 2024 | 2:30-3:30 pm EST
Yale University, New Haven, CT 06520

In contemporary American creative writing, theatre, and screenwriting classes, the narrative structures and forms most centered are derived from the Western literary canon. Aristotle’s definition of comedy, tragedy, and catharsis from the Poetics and Gustav Freytag’s “plot triangle” from Die Technik des Dramas are seen as the conventional and standard way by which we analyze and structure storytelling. However, in our class on Narrative Forms from World Literature, we will study and learn from narrative structures, forms, aesthetic theories, and storytelling techniques from a variety of world literatures. We will delve into storytelling forms beyond the plot triangle and will highlight Nonwestern narrative techniques like rasa theory, which centers nine major emotional states to make the connection between viewer and character stronger. Rasa theory derives from Bharata’s Nāṭyaśāstra, which acts as a counterpoint to Aristotle’s demarcation of tragedy and comedy from the Poetics. This class will also explore the kishōtenketsu narrative form from Japanese. By studying Narrative Forms from World Literature, students will diversify and strengthen their craft knowledge and technique, and will gain access to storytelling structures, forms, and aesthetic traditions beyond the Anglo-American canon.

January 2024 Faculty Lectures from MFA Program for Writers at Warren Wilson College Now Available

The MFA Program for Writers recently celebrated its annual winter residency at the Blue Ridge Assembly, the site of the original Black Mountain College in Black Mountain, North Carolina. The residency featured inspiring lectures and classes from both faculty and graduating students. And writers and readers can access the wonderful craft discussions and lectures from the MFA Program for Writers faculty online here. Rita Banerjee’s Opening Lecture, “Translating the World, Translating Ourselves,” explores why translation is such a vital aesthetic, psychic, and embodied craft tool for creative writers. In translating our experiences and ourselves onto the page, we as writers become more aware of the metaphors we live by and can ask ourselves “What is the story behind my story, essay, or poem?” Some authors studied in the talk include Basho, Agyeya, Allen Ginsberg, Elizabeth Bishop, Rudyard Kipling, James Baldwin, Yoko Tawada, and Jhumpa Lahiri.

The Warren Wilson MFA Program for Writers store features a rich archive of faculty lectures and craft discussions from January 1992 – January 2024, and can be accessed here: https://www.wwcmfa.org/store/

MFA Director Dr. Rita Banerjee will be a Visiting Writer at Warren Wilson College’s Undergraduate Creative Writing Program * October 16-17, 2023

The MFA Program for Writers Director, Dr. Rita Banerjee will be a Visiting Writer in the undergraduate Creative Writing program at Warren Wilson College and will be teaching the creative writing workshop “Narrative Forms from World Literature: Kishōtenketsu and Rasa Theory” on Tuesday, October 17 from 12-1 pm EDT. The workshop’s open to anyone on campus and more details follow below as does information about Dr. Banerjee’s reading on campus on the evening of October 17 from 7-8 pm EDT:

Warren Wilson’s Department of Creative Writing presents
A Reading with Visiting Writer Dr. Rita Banerjee
October 17, 7-8 pm at the Library Loft

Here are the workshop details:

Narrative Forms from World Literature: Kishōtenketsu and Rasa Theory
A Craft Workshop with Dr. Rita Banerjee
October 17, 12-1 pm at the Morris Pavilion

In contemporary American creative writing, theatre, and screenwriting classes, the narrative structures and forms most centered are derived from the Western literary canon. Aristotle’s definition of comedy, tragedy, and catharsis from the Poetics and Gustav Freytag’s “plot triangle” from Die Technik des Dramas are seen as the conventional and standard way by which we analyze and structure storytelling. However, in our workshop on Narrative Forms from World Literature, we will study and learn from narrative structures, forms, aesthetic theories, and storytelling techniques from a variety of world literatures. We will delve into storytelling forms beyond the plot triangle and will highlight Nonwestern narrative techniques like the kishōtenketsu narrative form from Japanese. This workshop will also discuss rasa theory, which centers nine major emotional states to make the connection between viewer and character stronger. Rasa theory derives from Bharata’s Nāṭyaśāstra, which acts as a counterpoint to Aristotle’s demarcation of tragedy and comedy from the Poetics. By studying Narrative Forms from World Literature, students will diversify and strengthen their craft knowledge and technique, and will gain access to storytelling structures, forms, and aesthetic traditions beyond the Anglo-American canon.

“On Writing and Publishing: A Conversation with Rita Banerjee” at the Young Women’s Society of New York City * Wednesday, September 28, 6:30 pm EST

The Young Women’s Society of New York City, founded by Sunita Singh of LIU Brooklyn, welcomes Rita Banerjee as a guest speaker to discuss “On Writing and Publishing” on Wednesday, September 28, 2022 from 6:30-7:30 pm EST on Zoom.

The Young Women’s Society of New York City space for females across NYC where they can voice their concerns, feelings, and fears. The club aims to empower young women within the community by providing opportunities to learn STEM-related skills and hear from accomplished women within various fields. Rita Banerjee will be present on writing, publishing, and academia, and how young women (both cis and trans) can flourish in such fields. To join the Zoom conversation on September 28, please email theyoungwomenssocietystaff@gmail.com.

Membership to the Young Women’s Society of New York City is open to undergraduate, graduate, and young professional students who identify as female and who live, study, and/or work in NYC. To join the community, please email theyoungwomenssocietystaff@gmail.com.

For more info, visit:
https://www.instagram.com/the_young_womens_society/

Cambridge Writers’ Workshop presents Disobedient Futures – A Split This Rock Festival Reading – Friday, April 20, 2018

In honor of the Split This Rock Poetry Festival: Poems of Provocation and Witness (April 19-21, 2018), the Cambridge Writers’ Workshop will be hosting its reading Disobedient Futures at the Colony Club in Washington D.C./ this Friday, April 20, 2018 from 5:30 pm – 7:30 pm.  Disobedient Futures will feature readings from Rita BanerjeeAlex CarriganMarlena Chertock, and Christina M. Rau .

To get to the reading at the Colony Club, please take the Green line Metro towards Greenbelt and exit at the Columbia Heights Station, then walk to 3118 Georgia Ave NW, Washington DC 20010.

Featured Readers:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently an associate editor with the American Correctional Association. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C. and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Wordgathering, and more. Marlena often moderates or speaks on panels at literary conferences and festivals. She serves as the Communications Coordinator for the LGBTQ Writers Caucus. Find her on Twitter at @mchertock.

 

Christina M. Rau is the author of the sci-fi fem poetry collection, Liberating The Astronauts (Aqueduct Press, 2017), and the chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Her poetry has also appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and in various literary journals both online and in print. She is the founder of the Long Island reading circuit, Poets In Nassau, and has read and run workshops for various community groups nationwide. She teaches English and Creative Writing at Nassau Community College where she also serves as Poetry Editor for The Nassau Review. In her non-writing life, she teaches yoga occasionally and line dances on other occasions.

Our readers Rita BanerjeeMarlena Chertock, and Christina M. Rau will also be hosting a panel during Split This Rock, entitled Fantasy As Reality: Activism & Catharsis in Speculative Writing,” which will be held at National Housing Center Room B (1201 15th Street NW, Washington, DC 20005) on Saturday, April 21 from 9-10:30 am. The Fantasy As Reality is described below:

“This panel will demonstrate how non-realist poems and prose can offer a space for political critique and empowerment. We will ask audience members about their own speculative writing and reading experiences and offer prompts to those who wish to work on similar future writing. Speculative and science fiction are often stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology centered on white cis males. However, women, non-binary, and activist writers of speculative literature are purposefully subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Speculative literature, at its core, is about giving voice to ‘The Other.’ Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and other traditionally neglected voices. Sci-fi and fantasy characters and voices can—and should—represent the underrepresented to create a sense of community as well as to challenge injustices in our real world.”

We hope to see you at some of our events at Split This Rock !

Split this Rock 2018 Festival: Fantasy as Reality: Activism and Catharsis through Speculative Writing Panel feat. poets Rita Banerjee, Christina M. Rau, Marlena Chertock, and Alex DiFrancesco

Poets Rita Banerjee, Christina M. Rau, Marlena Chertock, and Alex DiFrancesco will be featured in the panel Fantasy As Reality: Activism and Catharsis Through Speculative Writing” at the 2018 Split This Rock Poetry Festival.  Split This Rock: Poems of Provocation & Witness will take place from April 19-21, 2018 in Washington, D.C.  You can read more about the festival here and the panel below:

Fantasy As Reality: Activism and Catharsis Through Speculative Writing
Split This Rock: Poems of Provocation & Witness 2018 Festival
Saturday, April 21, 2018 * 9:00 am – 10:30 am
National Housing Center Room B
1201 15th Street NW, Washington, DC 20005

Speculative literature, at its core, is about giving voice to “The Other.” Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present, but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and more. Terms like solarpunk and sco-speculation are becoming more used and explored. Often times, speculative and science fiction is stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology involving mostly cis white males. However, women, non-binary, and activist writers of Speculative Fiction are purposefully  subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Sci-fi and fantasy characters and voices can and should represent the underrepresented to create a sense of community as well as rail against injustices in this world.

RitaBanerjeeRita Banerjee is the author of Echo in Four Beats (2018), CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (2018), the novella “A Night with Kali” in Approaching Footsteps (2016), and Cracklers at Night (2010). She earned her doctorate from Harvard, and she is the Executive Creative Director of the Cambridge Writers’ Workshop. Her writing appears in the Academy of American Poets, Poets & Writers, Nat. Brut., Painted Bride Quarterly, Hyphen Magazine, LARBElectric Literature, and elsewhere. Follow her at ritabanerjee.com or @Rita_Banerjee

 

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C. and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Wordgathering, and more. Marlena often moderates or speaks on panels at literary conferences and festivals. She serves as the Communications Coordinator for the LGBTQ Writers Caucus. Find her on Twitter at @mchertock.

 

Christina M. Rau is the author of the sci-fi fem poetry collection, Liberating The Astronauts (Aqueduct Press, 2017), and the chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Her poetry has also appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and in various literary journals both online and in print. She is the founder of the Long Island reading circuit, Poets In Nassau, and has read and run workshops for various community groups nationwide. She teaches English and Creative Writing at Nassau Community College where she also serves as Poetry Editor for The Nassau Review. In her non-writing life, she teaches yoga occasionally and line dances on other occasions.

Alex DiFrancesco is a writer, activist, and baker. Their first novel, The Devils That Have Come to Stay, is an acid western that deals with social justice histories of the California Gold Rush. Their current project is a climate-change fiction sci-fi novel set in a future New York City, and deals largely with socio-economic disparity and alternative utopias. Their work has appeared in The Washington Post, Tin House, Brevity, Longreads, The Heart Podcast, and more. They have recently relocated from New York City to rural Ohio, where they are still adjusting to things like “Sweetest Day.” They are currently an MFA candidate at a consortium program in Northeast Ohio.

Book Tour for Rita Banerjee’s Echo in Four Beats & CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing

Interested in getting a signed copy of Rita Banerjee’s new poetry collection Echo in Four Beats (Finishing Line Press, March 2018) or edited volume CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and meeting the author?  If so, check out the book tour and signing schedule for Echo in Four Beats and CREDO below:

Thursday July 28, 2018:

Paris Lit Up featuring Rita Banerjee
Culture Rapide * 8:45 – 11:00 pm
103 rue Julien Lacroix,75020 Paris, France

Saturday June 2, 2018

The Munich Readery Presents:
Rita Banerjee’s Echo in Four Beats
The Munich Readery * 7:00 – 8:30 pm
Augustenstr. 104, Munich, Germany

Saturday June 2, 2018:

Cambridge Writers’ Workshop Reading &
CREDO: An Anthology of Manifestos Workshop
Grolier Poetry Festival – 90th  Anniversary Celebration
Plympton Street, Between Mass Ave & Bow Street
Harvard Square, Cambridge, MA * 2:40 – 4:15 pm

Friday April 20, 2018:

Disobedient Futures
A Split This Rock Off-Site Reading
Colony Club * 5:30-7:30pm
3118 Georgia Ave NW, Washington, DC 20010

Sunday April 8, 2018:

Echo in Four Beats Launch Party
Weehawken Writers and Artists Studio * 6-9 pm
10 Louisa Pl, Weehawken, NJ, 07086

Friday April 7, 2018:

Echo in Four Beats at First Fridays
The Zeitgeist Outpost * 7-8 pm
186 ½ Hampshire St., Cambridge, MA 02139

Tuesday March 27, 2018:

Public Reading & Q&A with Rita Banerjee
New Hampshire Institute of Art * 5:30-8:30 pm
148 Concord St, Manchester, NH 03104

Saturday March 10, 2018:

Echo in Four Beats Signing
Finishing Line Press Table (T743) * 1-2 pm
AWP 2018 Bookfair, Tampa Convention Center
333 S Franklin St, Tampa, FL 33602

Friday March 9, 2018:

Spontaneous Reading Party
Celebrating the Pre-Launch of CREDO
Centre for Women * 7:00 – 11:00 pm
305 S Hyde Park Ave, Tampa, FL 33606

Friday March 9, 2018:

CREDO Authors’ Signing
Cambridge Writers’ Workshop Table (T403) * 2-4 pm
AWP 2018 Bookfair, Tampa Convention Center
333 S Franklin St, Tampa, FL 33602

Friday March 9, 2018:

Echo in Four Beats Signing
Cambridge Writers’ Workshop Table (T403) * 1-2 pm
AWP 2018 Bookfair, Tampa Convention Center
333 S Franklin St, Tampa, FL 33602

Thursday March 8, 2018:

CREDO Editors’ Signing
C&R Press Booth (1036) * 2-3 pm
AWP 2018 Bookfair, Tampa Convention Center
333 S Franklin St, Tampa, FL 33602

Visiting Writer Rita Banerjee at the New Hampshire Institute of Art

Rita Banerjee will be a Visiting Writer at the New Hampshire Institute of Art this Spring.  She will be lecturing and giving workshops on topics such as “Rasa: Emotion and Suspense in Theatre, Poetry, and (Non)Fiction,” “Poetry and What’s at Stake,” and “Revising, Pitching, and Publishing” at NHIA on Tuesday, March 27.  In addition, she will be holding a discussion with Ayris editors and staff on Tuesday, March 27.  Rita Banerjee will also be reading from her debut poetry collection Echo in Four Beats at the French Hall Rotunda at NHIA from 5:30-7:30 pm on Tuesday, March 27, 2018.  The poetry reading and Q&A for Echo in Four Beats is free and open to the public.

Split this Rock 2018 Poetry Festival Panel feat. Rita Banerjee, Christina M. Rau, Marlena Chertock, and Alex DiFrancesco Announced!


Poets Rita Banerjee, Christina M. Rau, Marlena Chertock, and Alex DiFrancesco will be featured in the panel “Fantasy As Reality: Activism and Catharsis Through Speculative Writing” at the 2018 Split This Rock Poetry Festival.  Split This Rock: Poems of Provocation & Witness will take place from April 19-21, 2018 in Washington, D.C.  You can read more about the festival here and the panel below:

Speculative literature, at its core, is about giving voice to “The Other.” Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present, but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and more. Terms like solarpunk and sco-speculation are becoming more used and explored. Often times, speculative and science fiction is stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology involving mostly cis white males. However, women, non-binary, and activist writers of Speculative Fiction are purposefully  subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Sci-fi and fantasy characters and voices can and should represent the underrepresented to create a sense of community as well as rail against injustices in this world.

Poets House: Rooms Are Never Finished: The Legacy of Agha Shahid Ali – April 21

aghashahidali
April 21, 2017 – 7:00PM
Poets House, 10 River Terrace, New York, NY 10282

Kazim Ali, Rita Banerjee, Amanda Golden, Shadab Zeest Hashmi, Patricia O’Neill, and Sejal Shah examine the life and work of Kashmiri poet Agha Shahid Ali (1949-2001). Celebrated for bringing the ghazal into English, Ali’s work explores cultural ties and divisions, the enduring qualities of love and friendship, and the difficulty of maintaining both. Admission: $10, $7 for students and seniors, free to Poets House members.