What the Universe Is Reading feat. Rita Banerjee & Amanda Shaw – February 11, 2025 * 7:30 pm EST on Zoom

Poet Michael Mercurio hosts and curates “What the Universe Is,” a poetry reading series featuring poets and writers Rita Banerjee and Amanda Shaw reading at 7:30 pm EST on Tuesday, February 11, 2025. Register for the reading on Zoom and join the reading live at: bit.ly/WTUIFeb2025! And here’s more information about the reading & writers below:

Make some time for poetry during this shortest of months. Come hear two exceptional poets read for you on Zoom, so you don’t have to leave the house in these cold & dark days. Let these poets bring you light & warmth!  

Rita Banerjee is an Assistant Professor of Creative Writing and Director of the MFA Program for Writers at Warren Wilson College. She is author of Disobedient Futures, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, Echo in Four Beats, “A Night with Kali” in Approaching Footsteps, and Cracklers at Night, and co-writer of the documentary Burning Down the Louvre. Her work appears in Academy of American Poets, Poets & Writers, PANK, Nat. Brut., Hunger Mountain, Tupelo Quarterly, Isele, Vermont Public Radio, and elsewhere. She serves as Senior Editor of the South Asian Avant-Garde and Executive Creative Director of the Cambridge Writers’ Workshop. She received a Vermont Arts Council Creation Grant for her new memoir and manifesto on female cool, and one of the book’s opening chapters “Birth of Cool,” was a Notable Essay in the 2020 Best American Essays, and another chapter, “The Female Gaze,” was a Notable Essay in the 2023 Best American Essays

Amanda Shaw is the author of It Will Have Been So Beautiful (Lily Poetry Review Books, 2024). Based in Washington, DC, she is a teacher and editor at the World Bank and other international organizations. Her poems have appeared in LEON Literary Review, Spoon River Poetry Review, The Mid-Atlantic Review, and Lily Poetry Review, which she recently joined as the reviews editor. Over the last 25 years, she has taught students of all ages and backgrounds in New York, Boston, Detroit, and Rome, Italy. 

It’s very easy to register at bit.ly/WTUIFeb2025 — make sure you don’t miss out!

Friends of Writers Fall Fête feat. Sarah Audsley, Rita Banerjee, Megan Pinto, Carter Sickels, and Connie Voisine – October 26, 2024 * 7 pm EDT

Join Friends of Writers on October 26th at 7:00 PM ET for FOW Fall Fête, a celebration and fundraiser honoring the work of Friends of Writers in Hillsborough, North Carolina presented by FOW and House Party Reading Series. The evening will feature readings by alumni and faculty from the MFA Program for Writers at Warren Wilson College including Sarah Audsley, Rita Banerjee, Megan Pinto, Carter Sickels, and Connie Voisine. 

The event is free and open to the public. Limited edition broadsides made by Trish Marshall will be available for sale. Audio recording will be available after the event to registrants. RSVP required.

Please Register & RSVP Here:
https://friendsofwriters.org/2024-fall-fete/

Sarah Audsley is the author of Landlock X (Texas Review Press). A Korean American adoptee, a graduate of the MFA Program for Writers at Warren Wilson College, and a member of The Starlings Collective, Audsley lives and works in northern Vermont. She is the Writing Program Director at Vermont Studio Center.

Rita Banerjee is an Assistant Professor of Creative Writing and Director of the MFA Program for Writers at Warren Wilson College. She is the author of the poetry collections Echo in Four Beats, which was named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018,” and Cracklers at Night. She is also editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, and author of the novella “A Night with Kali” in Approaching Footsteps. She received her doctorate in Comparative Literature from Harvard University and her MFA in Creative Writing from the University of Washington, and her work appears in Academy of American Poets, Poets & Writers, PANK, Nat. Brut., Hunger Mountain, Tupelo Quarterly, Isele Magazine, Los Angeles Review of Books, VIDA, Vermont Public Radio, and elsewhere. She serves as Editor-at-Large of the South Asian Avant-Garde and Executive Creative Director of the Cambridge Writers’ Workshop, and she is the co-writer and co-director of Burning Down the Louvre, a forthcoming documentary film about race, intimacy, and tribalism in the United States and in France. She received a 2021-2022 Creation Grant from the Vermont Arts Council for her new memoir and manifesto on female cool, and one of the opening chapters of this new memoir, “Birth of Cool” was a Notable Essay in the 2020 Best American Essays, and another chapter from her new memoir, “The Female Gaze,” was a Notable Essay in the 2023 Best American Essays.

Megan Pinto’s debut collection, Saints of Little Faith, is forthcoming with Four Way Books in September 2024. The winner of the 2023 Halley Prize from the Massachusetts Quarterly Review, Megan’s poems can be found or are forthcoming in the Los Angeles Review of Books, Guernica, Ploughshares, Lit Hub, and elsewhere. Megan has received scholarships and fellowships from the Bread Loaf Writers’ Conference, the Martha’s Vineyard Institute of Creative Writing, the Port Townsend Writers’ Conference, Storyknife, The Peace Studio and an Amy Award from Poets & Writers. She lives in Brooklyn and holds an MFA in Poetry from Warren Wilson. http://www.meganpinto.com

Carter Sickels is the author of the novel The Prettiest Star (Hub City, 2020), winner of the Ohioana Book Award in Fiction, the Southern Book Prize, and the Weatherford Award, and selected as a Kirkus Best Book of 2020 and a Best LGBT Book by O Magazine. His debut novel The Evening Hour (Bloomsbury, 2012) was a Lambda Award and Triangle Publishing Award finalist, and adapted into a feature film that premiered at the Sundance Film Festival in 2020. His writing has appeared in publications including The Kenyon Review, The Atlantic, Oxford American, Poets & Writers, BuzzFeed, and Guernica. Carter has received fellowships from the Bread Loaf Writers’ Conference, the Virginia Center for the Creative Arts, and MacDowell. He is an assistant professor of English and Creative Writing at North Carolina State University. You can find more information at http://www.cartersickels.com.

Connie Voisine is the author of the recent book of poems, The Bower, begun on a Fulbright Fellowship to Northern Ireland. A previous book, Rare High Meadow of Which I Might Dream, was a finalist for the Los Angeles Times Book Award. Her first book, Cathedral of the North, won the Associated Writing Program’s Award in Poetry. She has poems published in The New Yorker, Ploughshares, Poetry Magazine, Black Warrior Review, The Threepenny Review, and elsewhere. Educated at Yale University, University of California at Irvine, and University of Utah, Voisine directs the creative writing program at New Mexico State University and teaches in Warren Wilson College’s MFA for Writers. She was a 2021-2022 Guggenheim Fellow.

Disobedient Futures Anthology (ed. Rita Banerjee, Diana Norma Szokolyai, and Corrine Previte) Acquired by University Press of Kentucky

Editors Rita Banerjee, Diana Norma Szokolyai, and Corrine Previte are delighted to share that their new speculative literature anthology Disobedient Futures has been acquired by University Press of Kentucky! Banerjee, Szokolyai, and Previte are delighted to be working with Editor Abby Freeland and her team including Alice Fugate Brown at University Press of Kentucky. Here’s a bit more about Disobedient Futures:

Rita Banerjee, Diana Norma Szokolyai, and Corrine Previte’s, ed’s, DISOBEDIENT FUTURES, a speculative literature anthology that imagines what the future cultures of America and the world might look like through a diverse, inclusive, and multi-genre lens, and includes fiction, poetry, nonfiction, hybrid work, art, and photography that explore utopian, dystopian, and alternative realities, futuristic places, and parallel histories to Abby Freeland at University Press of Kentucky (world).

Featured Authors:

George Abraham | Thommy Ahneesan | Kazim Ali | Kenzie Allen | Paul Daniel Ash | Madeleine Barnes | Rita Banerjee | Zeina Hashem Beck | Alyssa Beckitt | Oliver Baez Bendorf | Emma Bolden | Frances Cannon | Alex Carrigan | Marianne Chan | Kholoud Charaf | Marlena Chertock | Kristina Marie Darling | JJJJJerome Ellis | Ayokunle Falomo | Carlos Andrés Gómez | Dipika Guha | Robin Hemley | Candace Jensen | Shanta Lee | Shirley Jones-Luke | Ilya Kaminsky | Liz Kellebrew | Raphaël Amahl Khouri | Samuel Kọ́láwọlé | Oksana Marafioti | Adam McOmber | Sebastian Merrill | Rajiv Mohabir | Neha Mulay | Ukamaka Olisakwe | Matthew Olzmann | January Gill O’Neil | Josiah Patterson | Diana Norma Szokolyai | Corrine Previte | Ruben Quesada | Thaddeus Rutkowski | Nneka Samuel | Jason Schneiderman | Kyle Scott | Dayton Shafer | David Shields | Erin Stalcup | Margo Taft Stever | Bianca Stone | Anca L. Szilágyi | Brian Teare | Ella Voss | David Heska Wanbli Weiden | Cecilia Woloch

#RitaBanerjee #DianaNormaSzokolyai #CorrinePrevite #CambridgeWritersWorkshop #fiction #poetry #nonfiction #art #photography #hybridwork #speculativeliterature

Disobedient Futures Anthology – Open for Submissions

Rita Banerjee and Diana Norma Szokolyai will be editing Disobedient Futures, a new speculative literature and art anthology by the Cambridge Writers’ Workshop, which is now open for submissions until February 14, 2019!

Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology. Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, female-identifying, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society? Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre. Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not. Poetry submissions should be 3-5 pages in length. Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome. Visual art related to these categories of Disobedient Futures is also welcome.  Submit your retelling of the future today!

Submit your work at cww.submittable.com
Deadline: February 14, 2019

Cambridge Writers’ Workshop presents Disobedient Futures – A Split This Rock Festival Reading – Friday, April 20, 2018

In honor of the Split This Rock Poetry Festival: Poems of Provocation and Witness (April 19-21, 2018), the Cambridge Writers’ Workshop will be hosting its reading Disobedient Futures at the Colony Club in Washington D.C./ this Friday, April 20, 2018 from 5:30 pm – 7:30 pm.  Disobedient Futures will feature readings from Rita BanerjeeAlex CarriganMarlena Chertock, and Christina M. Rau .

To get to the reading at the Colony Club, please take the Green line Metro towards Greenbelt and exit at the Columbia Heights Station, then walk to 3118 Georgia Ave NW, Washington DC 20010.

Featured Readers:

Rita BanerjeeRitaBanerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Executive Creative Director of the Cambridge Writers’ Workshop.   She is the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest, and she is currently working on a novel, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Alexander Carrigan is the Communications and PR manager for the Cambridge Writers’ Workshop and has been with the organization since 2014. He is currently an associate editor with the American Correctional Association. He has had fiction, poetry, reviews (film, TV, and literature), and nonfiction work published in Poictesme Literary Journal, Amendment Literary Journal, Quail Bell Magazine, Luna Luna Magazine, Rebels: Comic Anthology at VCU, Realms YA Literary Magazine, and Life in 10 Minutes. He lives in Alexandria, VA. Carrigan is the author of “First Person Perspective Flash Fiction Prompts” in the Exercises section of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C. and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Wordgathering, and more. Marlena often moderates or speaks on panels at literary conferences and festivals. She serves as the Communications Coordinator for the LGBTQ Writers Caucus. Find her on Twitter at @mchertock.

 

Christina M. Rau is the author of the sci-fi fem poetry collection, Liberating The Astronauts (Aqueduct Press, 2017), and the chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Her poetry has also appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and in various literary journals both online and in print. She is the founder of the Long Island reading circuit, Poets In Nassau, and has read and run workshops for various community groups nationwide. She teaches English and Creative Writing at Nassau Community College where she also serves as Poetry Editor for The Nassau Review. In her non-writing life, she teaches yoga occasionally and line dances on other occasions.

Our readers Rita BanerjeeMarlena Chertock, and Christina M. Rau will also be hosting a panel during Split This Rock, entitled Fantasy As Reality: Activism & Catharsis in Speculative Writing,” which will be held at National Housing Center Room B (1201 15th Street NW, Washington, DC 20005) on Saturday, April 21 from 9-10:30 am. The Fantasy As Reality is described below:

“This panel will demonstrate how non-realist poems and prose can offer a space for political critique and empowerment. We will ask audience members about their own speculative writing and reading experiences and offer prompts to those who wish to work on similar future writing. Speculative and science fiction are often stereotyped as futuristic, extraterrestrial, and fantastical romps through universes using space travel, time travel, and super-advanced technology centered on white cis males. However, women, non-binary, and activist writers of speculative literature are purposefully subverting this stereotype, diversifying and owning the fantastical worlds that they imagine. Speculative literature, at its core, is about giving voice to ‘The Other.’ Speculative writing, in prose or poetry, focuses on not only imagined realities of the future, past, and present but also gives voice to bodies and individuals who are disabled, alien, marginalized, menial workers, and other traditionally neglected voices. Sci-fi and fantasy characters and voices can—and should—represent the underrepresented to create a sense of community as well as to challenge injustices in our real world.”

We hope to see you at some of our events at Split This Rock !