Painted Bride Quarterly recently reissued some of their classic episodes of the Slushpile Podcast. Episode 27: Suicides and Skeleton Jazz features two of Rita Banerjee’s poems “The Suicide Rag” and “Georgia Brown.”
Check out the Painted Bride hosts editors and writers Kathleen Volk Miller, Marion Wrenn, Jason Schneiderman, Tim Fitts, and Sara Aykit discuss Rita Banerjee’s jazz-inspired poetry on their podcast here. And here’s more information about Episode 27: Suicides and Skeleton Jazz :
This week’s discussion both took us back and made sure that none of us would see the world the same way again. With images of breakdancing, gospel choir, and the not-so-innocent Georgia Brown, we were in it. Whether we’re distinguishing jazz from jazz or figuring out what a clapper is, this episode is filled with risky moves.
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More about the author:
Rita Banerjee is the author of Echo in Four Beats, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, the novella “A Night with Kali” in Approaching Footsteps, and Cracklers at Night. She received her doctorate in Comparative Literature from Harvard and her MFA from the University of Washington, and her work appears in Hunger Mountain, PANK, Tupelo Quarterly, Isele Magazine, Nat. Brut., Poets & Writers, Academy of American Poets, Los Angeles Review of Books, Vermont Public Radio, and elsewhere. She is the co-writer of Burning Down the Louvre, a forthcoming documentary film about race, intimacy, and tribalism in the United States and in France, and serves as Senior Editor of the South Asian Avant-Garde and Creative Director of the Cambridge Writers’ Workshop. She received a 2021-2022 Creation Grant from the Vermont Arts Council for her new memoir and manifesto on female cool, and one of the opening chapters of this memoir, “Birth of Cool” was a Notable Essay in the 2020 Best American Essays. She is an Assistant Professor of Creative Writing and Director of the MFA Program for Writers at Warren Wilson College.
Rita Banerjee 